A Quote by Wolfgang Tillmans

I am interested not in individual readings, but in constructing networks of images and meanings capable of reflecting the complexity of the subject. — © Wolfgang Tillmans
I am interested not in individual readings, but in constructing networks of images and meanings capable of reflecting the complexity of the subject.
BitCoin is actually an exploit against network complexity. Not financial networks, or computer networks, or social networks. Networks themselves.
I am interested in what I term gestalts; picture circumstances which bring together disparate images or ideas so as to form new meanings and new configurations.
I am not at all interested in theories about cinema. I am only interested in images and people and sound. I am really a very simple person.
A satyagrahi is sometimes bound to use language which is capable of two meanings, provided both the meanings are obvious and necessary and there is no intention to deceive anyone.
I am not interested in constructing a building, so much as in having a perspicuous view of the foundations of possible buildings.
I believe that some of my best images have [the] ambiguity which is an essence of life. In this sense I am not interested in trying desperately to make Art but I am interested in relating to the marvelous extravagance of Life.
I wanted to keep the complexity of the female experience in the film as much as it is in the book, and the subject of not wanting a child is a very interesting subject, one that's not dealt with very much actually.However that complexity was not serving the story of what became the film [The Girl on the Train].
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it is in this respect like a painting which takes a long time where you are very aware of what you are doing in the process. Exposure is only the final act of making the image as a photograph.
The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
I take more to the subject than to my ideas about it. I am not interested in any idea I have had, the subject is so demanding and so important.
I don't digitally manipulate my images, because I am interested in the spontaneous act of creating images without forethought. I know many artists start with an idea in mind, and then they put it on paper. I don't work that way.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
I am a huge consumer of social networks, and I utilize Twitter, Facebook, and LinkedIn. I'm interested and am learning more about Tumblr and other visually dominant sites.
Anything that looks like an idea is probably just something that has accumulated, like dust. It looks like I have ideas because I do books that are all on the same subject. That is just because the pictures have piled up on that subject. Finally I realize that I am really interested in it. The pictures make me realize that I am interested in something.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
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