A Quote by Wolfgang Tillmans

The picture of the guy pissing on the chair was a picture I had to do. I had the idea of this absurd act of pissing on a chair rather than in a toilet or on the ground, and this minimal act being so transgressive, even though no major harm is done.
For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind
If you build your own chair, there is a lot of things that happen. You could probably buy a nice chair for less money than a chair that you built yourself, and it might even look better, but if you build that chair, you're going to take care of it and maintain it because it's your chair. If it breaks, you know how to fix it.
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.
Better to have him inside the tent pissing out, than outside the tent pissing in.
This act of piss, which can be considered sexual by some, a pleasurable experience, is at the same time total disrespect. I had once asked a friend to do this picture and he totally refused. So I carried the idea around with me for years. When I was invited to do a Honcho shoot, I approached Phillip, who was the barman at The London Apprentice, and fortunately he knew who I was. He had a copy of my first book, and that broke the ice. At the end of the shoot with him, I realized I could ask him to do this picture. I had waited four years to do it.
I remember going into Steve's [Jobs] house, and he had almost no furniture in it. He just had a picture of Einstein, whom he admired greatly, and he had a Tiffany lamp and a chair and a bed. He just didn't believe in having lots of things around, but he was incredibly careful in what he selected.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
I love picture books - with picture books, you can use words and pictures as a double act, even tell two different versions of a story at the same time.
My case clearly demonstrates the need for comprehensive whistleblower protection act reform. If we had had a real process in place, and reports of wrongdoing could be taken to real, independent arbiters rather than captured officials, I might not have had to sacrifice so much to do what at this point even the President seems to agree needed to be done.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
I wrote 'The Hunger Games' in a chair, like a La-Z-Boy chair, next to my bed. I had an office, but my kids sort of took it over.
A guy who makes a new chair doesn't owe money to everyone who ever built a chair.
Better to have your enemies inside your tent pissing out, then to have them outside your tent pissing in.
Chair or no chair: a binary relation. But the vicissitudes of moving the body around are infinite. You never know what a person in a chair can do.
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