A Quote by Wolfgang Tillmans

When I was growing up, all the art that touched me was lens-generated, like Gerhard Richter, or Polke, Rauschenberg, Warhol. — © Wolfgang Tillmans
When I was growing up, all the art that touched me was lens-generated, like Gerhard Richter, or Polke, Rauschenberg, Warhol.
I'm not really an art collector - I'm more of a person who picks up things. I have pieces by people like Gerhard Richter, for example, but then also others by unknown Japanese artists, and not many real art collectors do that.
I'd been asked by Takashi Murakami to collaborate on something, which was an honor for me. I was really pleased. And then he had me as a guest speaker on his radio show, and we were talking about art. I don't think he knew I was interested in the topic - he was really surprised to find out that I own some original Andy Warhol and Gerhard Richter and Jean-Michel Basquiat works. So, in some ways, I think he simply wanted to see what I have.
Decades ago, Gerhard Richter found a painterly philosopher's stone. Like Jackson Pollock before him, he discovered something that had been in painting all along, always overlooked or discounted.
Warhol was the ultimate voyeur, constantly observing people through the lens. He watched and listened, but did not participate. Behind the camera, Warhol was in control.
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time.
Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.
Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
I was not very strong growing up, and my uncle used to look at me, like, This kid is not growing up, he is growing tall but he can be broken like a banana.
In the art world Robert Rauschenberg had been combining common materials that people thought was art and beautiful, and it was. If he could do that, I could emulate him.
I always enjoyed art history because, growing up in California, my exposure was limited, and it was a new experience. To learn the history of art opened up certain things to me, made me see. It intrigued me.
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
I never really watched much stand-up growing up. I just was not really that into it. But I can say I honestly fell in love with it the second I touched the microphone. It was like this weird thing where it's like, 'Oh, yeah, this is what I'm supposed to do.'
When you grow up, some areas of the world are out of your knowledge - especially when I grew up, in the '70s and '80s. Now, you have access to everything, but back then you did not because of the way the media was, and society imposed more directions, structures, and restrictions. It's not like art was prohibited, but art was not something that the people around me presented. So I developed it very much on my own growing up.
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