A Quote by Wolfgang Weingart

What's the use of being legible, when nothing inspires you to take notice of it? — © Wolfgang Weingart
What's the use of being legible, when nothing inspires you to take notice of it?
The opportunity to live and experience life inspires me. Watching others not take it for granted inspires me. Using time to create something timeless through creativity and proactivity inspires me.
There is nothing this confused world needs more, nothing that inspires a greater sense of well-being, nothing that has greater power to strengthen families than the gospel of Jesus Christ.
If people take any notice of what we say, we say we've been through the drug scene, man, and there's nothing like being straight.
The Tao teaches us to let go of things. Use the 80/20 rule. If you take all your clothes, you'll find out that you only wear 20 percent of them. Take what you have and don't use and circulate it. Give stuff to people who truly need it. After all, we come into this world with nothing; we leave this world with nothing.
We notice things that don't work. We don't notice things that do. We notice computers, we don't notice pennies. We notice e-book readers, we don't notice books.
I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process.
My feeling is that the most dangerous people are always those who take a hardline position - and nothing inspires that sort of extremism like difference.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
I like being free to take on any project that inspires me and to trust that the work will speak for itself.
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
In Charn [Jadis] had taken no notice of Polly (till the very end) because Digory was the one she wanted to make use of. Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical.
Notice, notice; let noticing take the place of screaming.
You have to protect her. The more she uses it, the worse it'll get. Stop her, Rose. Stop her before they notice, before they notice and take her away too. Get her out of here." [...] "Don't let her use the power!. . .Save her. Save her from herself!
People notice if you are black. People notice if you are female. We are certainly not either colorblind or gender-blind in this country, so I'm not suggesting that it isn't a factor. But I think in the final analysis, people will take a look at the positions, and they'll take a look at the issues.
Theatre artists are essentially sort of charlatans and thieves, I mean that's the tradition that we come from, so I have absolutely no, I make no bones about the fact that I steal from here and I take from there, and we all do it, that's perfectly all right, that's the nothing, there's nothing new in the world, there's nothing actually new in the way that you do something, but the point is is how do you take something and use it to articulate what is essentially a core of any given theatrical production.
Metaphorically speaking, it's easy to bump into one another on the journey from A to B and not even notice. People should take time to notice, enjoy and help each other.
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