A Quote by Wolfman Jack
I've got that nice raspy sound.
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I'm raspy, and if I wasn't a smoker, I'd still be raspy. My pops has a raspy voice, and my grandfather.
I don't think I sound like Janis Joplin. I'm a woman with a raspy voice.
I have a nice house, nice cars, nice watches, nice things. I've got money in the bank. I'm not in need of a few quid - as it stands. It's all irrelevant to me.
My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.
I've got a nice, big house. I've got two nice cars, including a Bentley, and I'm test-driving a Porsche.
In my world, the first thing I reach for is the sound. Technique is Ok, but if you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out. What I reach for is ... a sound.
The last thing I want is for people to say that the music is nice. It's not nice. It sounds good, but it's got grit, and it's got edge. It never veers into sweet.
A lot of people say I got my own sound. I ain't never really got no comparisons. When people hear my music, they be like, 'He got his own lil sound.'
When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
You know, as I'm progressing with my sound, I just realize when you got a simple sound with crazy percussion in the beats, it makes it. It kinda shapes my sound when it comes to what makes a Tay Keith beat.
I'm under no illusion. There are lots of male singers out there with raspy voices.
In improvising, you've got your scale; you've got the notes that are going to sound good with other notes, the intervals that are going to sound good. But you've also got all the chromatic possibilities, the possibilities of sounding dissident, of being unexpected.
Before Simon could answer, he heard the sound of the front door opening. He looked daggers at Jace. "That's my roommate. Kyle. Be nice." Jace smiled charmingly. "I'm always nice.
My health is wonderful. I work out. I'm working. Playing music. I have a beautiful wife, a nice home, a nice car, I got money in the bank. I got three beautiful dogs that love me. Like I said, I'm blessed. I survived.
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