A Quote by Wooden Wand
On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
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As I grow older, much older, I will experience many things, and I will hit rock bottom again and again. Again and again I will suffer; again and again I will get back on my feet. I will not be defeated. I won't let my spirit be destroyed.
I want to be top scorer in the Premier League, top scorer at the World Cup and, within five years, I want to be among the best strikers in the world. Trust me, it will happen. I look around at other players, I see my own ability and I can't see anything that tells me it won't happen, I'm sure people will think 'What is he talking about?' But as I have done before, and as I will do again, I will sit at the other end and laugh at those people when it is all done.
Being hurt is a pesky part of being human. You are bound to meet people who will hurt you again and again. Instead of asking them why again and again, ask yourself why you let them again and again. As Mahatma Gandhi once said, "Nobody can hurt you without your permission."
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
I'm out there to clean the plate. Once they've read what I've written on a subject, I want them to think, 'That's it!' I think the highest aspiration people in our trade can have is that once they've written a story, nobody will ever try it again.
When things [writing] are over, I always think, 'well, I'm never going to do anything again because I have no ideas so I'm going to go be a farmer'. Or else ideas will come and and if not then I become a farmer. Hopefully won't happen.
The need to communicate effectively with your customers will come up again and again.
There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.
Strip back the beliefs pasted on by governesses, schools, and states, you find indelible truths at one's core. Rome'll decline and fall again, Cortés'll lay Tenochtitlán to waste again, and later, Ewing will sail again, Adrian'll be blown to pieces again, you and I'll sleep under the Corsican stars again, I'll come to Bruges again, fall in and out of love with Eva again, you'll read this letter again, the sun'll grow cold again. Nietzsche's gramophone record. When it ends, the Old One plays it again, for an eternity of eternities.
You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
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I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.
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Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
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