A Quote by Woodrow Wilson

Scholarship cannot do without literature.... It needs literature to float it, to set it current, to authenticate it to all the race, to get it out of closets and into the brains of men who stir abroad.
The Bible goes equally to the cottage of the peasant, and the palace of the king. - It is woven into literature, and colors the talk of the street. The bark of the merchant cannot sail without it; and no ship of war goes to the conflict but it is there. It enters men's closets; directs their conduct, and mingles in all the grief and cheerfulness of life.
Literature cannot develop between the categories "permitted"โ€”"not permitted"โ€”"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
I think cinema is linked to literature by a lot of social ways. Our brains are full of literature - my brain is.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
The riches of scholarship, the benignities of literature, defy fortune and outlive calamity. They are beyond the reach of thief or moth or rust. As they cannot be inherited, so they cannot, be alienated.
I feel like elements of race and identity and ethnicity are sort of missing in all of literature, not just in women's literature.
Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.
I would tell myself to get more sleep! Believe it or not, I wrote the book while finishing my PhD in English literature. It was wonderful to get away from doing literary scholarship by writing this mythical love story. I think so much of my own love for books and scholarship comes through in The Thorn and the Blossom.
In French literature, you can choose a la carte; in Spanish literature, there is only the set meal.
Christ and the life of Christ is at this moment inspiring the literature of the world as never before, and raising it up a witness against waste and want and war. It may confess Him, as in Tolstoi's work it does, or it may deny Him, but it cannot exclude Him; and in the degree that it ignores His spirit, modern literature is artistically inferior. In other words, all good literature is now Christmas literature.
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
Literature remains alive only if we set ourselves immeasurable goals, far beyond all hope of achievement. Only if poets and writers set themselves tasks that no one else dares imagine will literature continue to have a function.
With 'Ilustrado,' I set out to change the way we read literature, and I think I failed spectacularly. In fact, I know I failed. In reaching further than I could, I may not have produced a life- or literature-changing book, but I did produce one I am proud of.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
I stay up on current events. I read 'The New Yorker' and 'The Economist.' I go to community meetings to see what concerns the people in my neighborhood. I studied literature in college, so I also continue to read poetry, literature, and novels.
The world does not need more Christian literature. What it needs is more Christians writing good literature.
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