A Quote by Woody Guthrie

Anyone who used more than three chords is just showing off. — © Woody Guthrie
Anyone who used more than three chords is just showing off.
If you play more than two chords, you're showing off.
It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.
Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
If it has more than three chords, it's jazz.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.
I just started off on my own by learning the regular chords then the barre chords. Then I'd lean the notes that would go with them.
Like a Star' has a very simple melody, and when you play it, it's only about three notes for ages, and it's quite boring. But when you hear the chords, the chords are sort of different than the melody, and it's pulling it around and making it mean something else.
One chord is fine. Two chords are pushing it. Three chords and you're into jazz.
See, we started out with a foundation of blues. But then we added people like Miles Davis and John Coltrane to the mix and gave rock n' roll a much more complex structure. It made it possible to play more than three chords.
I was sick of people making fun of my hair and so I cut it off and I've got much more attention than ever before. It was like when Mona Lisa was stolen from the Louvre in 1906 - three times more people came to see where it used to be.
I used to be very hands-on, but lately I've been more hands-off and I plan to become more hands-on and less hands-off and hope that hands-on will become better than hands-off, the way hands-on used to be.
I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.
The only reason anyone would sell salt more cheaply than usual would be because he was desperate for money. And anyone who took advantage of that situation would be showing a lack of respect for the sweat and struggle of the man who laboured to produce it.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
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