A Quote by Woody Guthrie

If you walk across my camera I will flash the world your story. — © Woody Guthrie
If you walk across my camera I will flash the world your story.
Look, I really do not care about you. What I care about is the worlds that you bear witness to. You are nothing more than a dog with a video camera strapped on its back. As you walk the streets looking for a place to mate or piss or eat, the camera is on and we will see the world because of you... You carry the camera and we enjoy the world. (On images as autobiography)
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
I remembered a mantra that one of my teachers used to tell me at drama school, that every thought will pass across your face. Even if you're thinking about Shreddies the camera will read it.
When I walk with a camera, I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.
It's hard any time people are sitting down and looking at you across a camera and saying, "I believe that you guys will tell my story faithfully." That's getting to the core principle of being a journalist or a documentarian where people trust you with their stories.
What exactly was your plan here, Mr. Andrews? To just walk in and flash your little smile, no questions asked?
I'm not just a guy that will walk in the ring and somebody's going to walk across and crush me.
I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
I can't even describe to anybody what it feels like to have my naked body shot across the world like a news flash against my will. It just makes me feel like a piece of meat that's being passed around for profit.
If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.
You either walk inside your story and own it or you stand outside your story and hustle for your worthiness.
If there is a series of attacks like that or, God forbid, if ISIS is really sending soldiers across Europe and maybe across the world for a barrage of these things, then the political climate is revolutionized here. And maybe the [Donald] Trump speech will look like a precursor to a climate that we're all about to walk into.
You are the director of your own life story. Don't cast idiots or people will walk out during your 2nd act.
The world I feel, within the realm of art, is more genuine than the wrorld of matter. Artistic feeling is not tape measures, spectrographs, or flash camera lens.
I think we always think of the camera - your eye, the first reveal. You know, you have to have that impact whether you walk into a house, you walk into a restaurant, you walk into a hotel; that first powerful impact establishing shot.
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