A Quote by Woody Harrelson
The only thing that's problematic is the constant explaining, the constant need to kind of go, No, I don't want that because of such and such. I feel like I'm a pain in the ass, and I don't like being difficult.
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For me, I need to listen to music in the morning, and after, it's kind of like a shower, you know what I mean? It's kind of getting rid of everything. I always play music after I act. It's not a conscious thing, like, 'Oh finally, I need to do this,' it's kind of a constant need.
I don't follow trends - it's more of an instinct thing. Honestly, I'm kind of my own worst client. I wake up and go, "I have nothing to wear!" But that's what makes it interesting. I ask, what would make me feel good? I think it's a constant challenge because clothes are so personal. For me, my clothes are related to my mood. If I feel like I'm not wearing the right thing, I don't feel confident. I think it's in everybody's psyche.
It's helpful to just hear things through friends' ears, people who know you well. I guess when I started Dirty Projectors, when I was, like, 20, I always imagined it would be kind of like an amphibious vehicle: something that could go with me wherever I need to go. That kind of constant change has been in the DNA from the beginning.
Some [actors] are really a pain in the ass today. I held out on getting an assistant forever because I didn't want to seem demanding... or like a pain in the ass. I didn't want someone working for me to hate me.
I love eating. Unfortunately, I have to be really determined and control my foodie temptations. That is the only thing I don't like about being an actress; the constant need to check my weight. Otherwise, I love my job!
I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
I always miss any kind of constant, especially now that I'm a film-maker who travels all the time. I'm always tempted to go to Catholic churches, although I despise the religion. But you want to go there just because it's the one thing in your life that's never changed.
It's life, so you're a constant evolution of tragedies and achievements and ups and downs. You can probably get a little bit more immune to things, but whatever is the most amount of pain you feel at any given moment feels like the most amount of pain you'll ever feel.
The main thing that I've learned, artistically, is that if I'm in pain and feeling the budding of anger - if I absolutely feel like I need to write a song about it, I'll either need to transform that anger into something positive, or I'll just need to throw the song away. Because eventually, I'm going to want to transcend that pain and that anger.
So it's a constant struggle, it's a constant balance, it's a constant search to find the balance between being responsible, carrying on with this as a livelihood and making ends meet, but at the same time, respecting your loved ones and being able to stay in touch and be there for them, at least emotionally since you're not there physically.
Audiences like to be made to feel that there is a world where things go right: where big emotions can happen and yet feel safe. This is why there is a constant tension in Hollywood between studios who want happy endings and writers who want to explore the human condition. There is a time and a place for both!
When I meet children and people who suffer, when they mention any kind of pain, emotional pain, physical pain, I know what they need, because it's the same thing I need. They need healing, they need peace, they need joy, they need hope.
When you go to a club it's not about being black or white or heavy or thick. I'm shaking my ass because I want to shake my ass, not 'cause "I'm dancing like a black girl!"
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
I like sets that feel small. Sets that feel really big are difficult. When you're on a big set it feels like there's constant mis-communication.
We need new athletes all the time because we need new games every day - fudging just a little on the definition of the word 'need.' We like to have new games every day, and, if we are to have a constant and endless flow of games, we need a constant flow of athletes.
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