A Quote by Woody Harrelson

Violence was almost an aphrodisiac for me. — © Woody Harrelson
Violence was almost an aphrodisiac for me.
Money is a powerful aphrodisiac but flowers work almost as well.
I do believe that where there is a choice between cowardice and non-violence I would advise violence. Thus when my eldest son asked me what he should have done, had he been present when I was almost fatally assaulted in 1908, whether he should have run away and seen me killed or whether he should have used his physical force which he could and wanted to use, and defended me, I told him that it was his duty to defend me even by using violence.
Deplorable, a rancid smelling aphrodisiac . . . it fosters almost totally negative and destructive reactions in young people.
I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
Almost always, it is the conviction that 'I am right' or 'my cause is the cause of justice' that triggers violence. That is, ...the moment propaganda does its work, violence is unleashed. And violence can be reduced by countering this propaganda.
I have a deep-seated skepticism about the morality of violence. Violence is almost always morally corrosive.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
Violence can be very grotesque and also intensely attractive. What interests me is how the two - beauty and violence - live side by side, and how moments can be created and erased almost simultaneously. Destruction is painful, but at times it can be very cathartic.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
People who grow rich almost always improve their sex life. More people want to have sex with them. That's just the way human beings work. Money is power. Power is an aphrodisiac. Money did not make me happy. But it definitely improved my sex life.
I remember watching 'Fargo.' I thought that was cruel. 'GoodFellas,' lots of Scorsese stuff, I think is unnecessarily violent and almost a celebration of violence. I don't see 'Game of Thrones' as being a celebratory violence.
Writing 'Deathstroke' presents a number of challenges to me. As a Christian, as a minister, it's difficult for me to write a comic book that all but glorifies violence. So my take on 'Deathstroke' has been to not so much celebrate violence but to deal with the consequences of violence.
The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy... In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars.
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe. I’m hoping hard for that.
For me to dominate the Congress in spite of these fundamental differences is almost a species of violence which I must refrain from.
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