A Quote by Wright Morris
The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.
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The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.
...I don't understand this gap you see between us, but can't you meet me somewhere in the middle?" "The middle of what?" "I don't know, the middle of tomorrow and forever, the middle of life and death, the middle of normal and paranormal. Where we've always been." I bit my lip, nodding against his forehead. "There's a place for us there, right?" "Always." He put his lips to mine, sealing our own little spot in the world. Together.
Literature may open a third eye in the middle of the reader's forehead.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
You do not see with the lens of the eye. You seen through that, and by means of that, but you see with the soul of the eye.
The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
I do not see eye to eye with the camera.
The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was.
As for garden photographers, how differently they see things. With what ease the camera seems to compose a picture of great beauty with its discriminating lens. The naked eye can't censor some ugly sight on the periphery of vision; the photographer takes the perfect shot and picks for us just what we need to see.
The sixth doorway is the Doorway of Vision. This relates to seeing with the eyes of love and corresponds to the energy center located in the third eye area of our forehead. When this doorway is open, we're more able to see life through love instead of differences.
The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film.
How adversity doth ope the eye! A moon can be seen by day as well as by night; but, to see the stars, you must be in darkness.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
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