A Quote by Wright Morris
The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture.
Related Quotes
Through the ample open door of the peaceful country barn, A sun-lit pasture field, with cattle and horses feeding; And haze, and vista, and the far horizon, fading away.
We made more money feeding molasses, urea, and corn cobs to cattle than we ever did feeding dent corn.
Every afternoon, I was in the pasture with cattle or fishing and shooting my BB gun. That kind of freedom allows imagination to develop.
I think preparing food and feeding people brings nourishment not only to our bodies but to our spirits. Feeding people is a way of loving them, in the same way that feeding ourselves is a way of honoring our own createdness and fragility.
Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.
I am for anything that makes teens visible in an honest way... in other words, anything that represents them the way they are, positively or negatively.
Why do photographers photograph? To make unreality visible.
We're all outriders out there, and what we have is all these large number of tasks - that's the herd; that's all the cattle - a whole bunch of individual, hundreds if not thousands of projects at any given time ongoing that we're trying to complete. So we're trying to keep the cattle herd, keep it all just going in the right direction.
If you have an area where high-income receivers concentrate, you have a higher fiscal capacity. That fiscal capacity is a valuable resource and will create rent-seeking. People will trying to get that resource one way or the other, including immigration. It is very much like the medieval peasants putting their sheep on the commons pasture. It is better than the open range, and if you let them have open access they will, in fact, put too many sheep on the pasture and waste the value that the pasture has.
Given the lack of public skills in reading photographs, given that photographic content is sometimes buried in beauty, contemporary landscape photographers are often condemned to making pretty pictures. Dramatic clouds and sifting light can overwhelm more mundane information. Yet who can resist beautiful landscape pictures of one kind or another? Not I.
Landscape is history made visible.
With actors, it's really about feeding them all the time. I don't get involved in their process. I try to do the opposite, feeding them, feeding them, feeding them, and you can see very easily how they react to it.
I picture the vast realm of the sciences as an immense landscape scattered with patches of dark and light. The goal towards which we must work is either to extend the boundaries of the patches of light, or to increase their number. One of these tasks falls to the creative genius; the other requires a sort of sagacity combined with perfectionism.
Belief forages, moving from pasture to pasture.
In its broad aspects, the proper feeding of children revolves around a public recognition of the interdependence of the human animal upon his cattle. The white race cannot survive without dairy products.
The other way is the multiverse way. That says that maybe the universe we are in is one of a very large number of universes. The vast majority will not contain life because they have the wrong gravitational constant or the wrong this constant or that constant. But as the number of universes climbs, the odds mount that a tiny minority of universes will have the right fine-tuning.
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