A Quote by Wu Guanzhong
There is no standard way of using painting techniques.
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Is it not a rather fantastic historical irony that the torture techniques that the North Vietnamese used against McCain that forced him to offer a videotaped false confession are now the techniques the Bush administration is using to gain "intelligence" about terror networks. How is it possible to know that everything John McCain once said on videotape for the enemy was false, because it was coerced, and yet assert that everything we torture out of terror suspects using exactly the same techniques is true?
I tried different techniques during my career, but I especially fell in love with painting with oil and pallette-knife. Every artwork is the result of long painting process; every canvas is born during the creative search; every painting is full of my inner world.
Such techniques, including meta-discursive stuff, self-reference, irony, black humor, cynicism, grotesquerie and shock, it would be safe to say that television or televisual values rule the culture. Television is successfully using a lot of those same techniques but using them for a very different agenda, which is to sort of create an ethos and please people and to sell products to consumers.
Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!
No matter what medium I'm using, or what subject I'm painting, I do retain a fairly set approach to painting.
I've been naturally quick at learning things, and I learn by doing things, so if I sit beside someone who is actively doing something, I look at how they do it and absorb the way in which they do something and find my own comfortable way of reimagining that, or using certain techniques in my own way.
It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.
Chipotle is based on a very simple idea: We start with great ingredients, prepare them using classic cooking techniques, and serve them in a way that allows people to get exactly what they want.
In 1915 Sophie Tauber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper (without using oil colors to avoid any reference with usual painting). These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous.
The expressive techniques of painting are capable of conveying an analogy but not an impossible photograph of a moment.
On occasion I have drawn as a release from painting. The economy in using paper, pencil, charcoal and crayon can help towards a greater gamble and higher rewards. I also find that drawing can generate ideas more rapidly than painting.
I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
No matter what techniques I use, I still want to go after the eternal, meaningful aspects of painting.
Radio astronomers study radio waves from space using sensitive antennas and receivers, which give them precise information about what an astronomical object is and where it is in our night sky. And just like the signals that we send and receive here on Earth, we can convert these transmissions into sound using simple analog techniques.
A lot of young painters love to incorporate celebrity. One idea of being a painter is to use what's happening at the time. Velázquez was painting of his time. And so was Rembrandt. And Francis Bacon was painting his time in London. He was a real mover, but he saw the insect in the rose. But yes, when I do a painting, I want to take the "I did this" out of it. That's why I started using chance, like the markings on the wood. I never wanted to compose.
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