A Quote by Wunmi Mosaku

I Googled every actor from my favorite film 'Annie.' Albert Finney was also from Manchester and he went to the Royal Academy of Dramatic Art - so I auditioned there, too.
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
I went to the Royal Academy of Dramatic Art because it was the only drama school the social worker had ever heard of. Luckily, I got in at the first attempt.
I had a teacher/director at the Royal Academy of Dramatic Art, where I trained for a year, named Mary Duff, who taught me practically everything I know.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
When I got into the Royal Academy of Dramatic Art, a doctor told me to give up the course as I'd be totally deaf within a couple of years. But I refused to give in.
My dad was part of that generation with Albert Finney and Tom Courtenay, of working-class actors breaking through. They'd never had an actor in the family.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
I will remember the night I won the New Comedy Awards, as I was young and unformed, so that sticks in the mind. I've also done a fantastic gig at the Royal Albert Hall, which was amazing. Appearing in the Christopher Guest film was also a real highlight, even if I was only in it for a couple of minutes.
When my father was a young actor, it is absolutely true that the vast majority were fairly middle class. Then all of a sudden, people like Albert Finney burst through and turned all that on its head.
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
There were certain young actors I had trained with at the Royal Academy of Dramatic Art who had always got the big parts and I was always the spear-carrier. Suddenly the roles were reversed and I couldn't understand why, and nor could they.
I decided to take a stab at acting. I entered the American Academy of Dramatic Art, where one teacher told me I'd never make it - I was too tall.
'We Will Rock You' is one of my favorite shows. I first saw it when I was a student at the Royal Academy and loved it.
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
I, like almost every actor in the world, auditioned for 'Friends.' I wish I had gotten that one. I actually auditioned for Rachel and didn't go very far.
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