A Quote by Wunmi Mosaku

When I get nervous my energy gets really still, and I think people think that's me. Everything gets really still, and my voice gets a little bit lower and there is a little croak in there - sometimes you can hear it when I'm really nervous on camera.
After all those years of automatic success, you don't get nervous any more. It's really necessary to be nervous and be a little bit frightened. It pumps the adrenalin into you and you really get down there and try.
I think sometimes when you play those extra shifts, it gets you into the game a little bit more and gets you a little bit more involved.
It's easy to forget when you're an elite athlete that everyone else gets nervous as well. Even the best people in the world, at whatever they do, they're still nervous
I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
I know that I am the kind of person that gets a little bit more nervous than other skaters, but that's because I care for my skating very much. I take all my emotions with me. I can't go out and say 'Now, this is just my job.' I really care.
As someone who gets nervous in silences, I spill words rather than really think.
I think it's really easy to just get caught up in what everyone else is doing, so I think the most important thing to remember is to be really strong in your own shoes. That is the main thing for me. The one thing that kind of gets in my way sometimes is when I'm a little too aware of everybody else.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
It's a process and it's a matter of understanding the horse and through any of these little projects you have a beginning, a middle and an end. And if you made up your mind early when he's still scared, you'd think that wasn't working at all. Sometimes it might get darker, before it gets dawn. You might have to work at it a little bit in order for it to come out the other side.
Having nerves and feeling the pressure just gets you focused and gets your concentration level where it needs to be. I harness that nervous energy into a positive way.
I'm not a guy who really gets nervous.
My personality is a personality where I get really, really nervous and doubtful about almost everything, which is always a work in progress to build up my confidence a little bit more.
I really think if you're trying to look good, do something athletic. I have a little mini tramp, and sometimes I'll just try to jump for 20 minutes. It gets your blood circulating, and that always looks really pretty.
It's very disconcerting to have a camera shoved in your face. It's really discombobulating. If you're the least bit nervous you forget what you just said, you can't find your way through, you can't follow the logic of your own statements sometimes. It's a weird sensation. And I think that really helps to lock people in place.
But if the cow is purple, you'd notice it, OK? The thing that's going to decide what gets talked about, what gets done, what gets changed, what gets purchased, what gets built is, is it remarkable? And remarkable's a really cool word 'cause we think it just means neat, but it also means worth making a remark about, and that is the essence of where idea diffusion is going.
I think when you evolve into a headlining act and things get bigger, the intimacy, and some of that energy gets lost a little bit.
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