A Quote by Wunmi Mosaku

I've been very much the kind of person who's very quiet about my own experiences. — © Wunmi Mosaku
I've been very much the kind of person who's very quiet about my own experiences.
Defensive players kind of have that two-faced kind of way of being able to be very aggressive on the football field and going out there and getting there job done. At the same time, from my own incidents and my own personality, I'm much a person that's very likable and lovable.
Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.
Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.
A man must be of a very quiet and happy nature, who can long endure the country; and, moreover, very well contented with his own insignificant person.
I've always been curious about people's psychedelic experiences, and I kind of had this assumption that I was going to have some kind of crazy mindblowing psychedelia thing happening, but actually, it was very quiet, and I didn't have any hallucinations at all. Nothing changed, except that suddenly I could hear the voice of my conscience, which I didn't ever think of as being a real voice. And ever since having that experience, I've had that voice in my head and followed it occasionally.
I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
I feel like it's been important for me to use my own personal experiences with food and money to help people to not feel ashamed. I felt so much shame about my own experiences.
I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.
I think when I was a young person, there was just kind of - there was very little dialogue about it. And there was just kind of one way to be gay, right? You saw very effeminate guys. You saw very butch women. And there was no kind of in-between. And there was no - you know, there wasn't anything in the media. There wasn't anything on television.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
I have never yet met a healthy person who worried very much about his health, or a really good person who worried much about his own soul.
To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
When my mum passed away, I was very young, and I became very introverted and very quiet. I became very anxious about what people thought about me.
Most of my experiences have been positive. I know I live a very good life. I'm severely overpaid, but there are people who are much more overpaid than I am. I've been very lucky, and I know that, because I see guys all the time who are struggling and can't make a dime, and they're much better actors than me.
I was actually doing very well, traveling the world with Snoop. So I was kind of doing that. I would have dreams at night about wrestling and stuff but I kept it very quiet.
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