A Quote by Wyatt Cenac
A lot of the things I do deal with my race, but my race is who I am. I'm an American kid who grew up listening to predominantly hip-hop. I will talk about hip-hop as the music I grew up listening to, and I think sometimes people like to put it as, 'Oh, well, he's talking about black things.' And, yeah, they are, but that's my American identity.
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Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
I wouldn't compare my sound on the mixtape to anything, but my influences are like - the minimal amount of hip-hop that I actually do know - because I didn't grow up listening to hip-hop like that. No one really put me on to hip-hop like that... My dad's from Jamaica and my mom is from Barbados, so that's really the stuff I grew up listening to.
I grew up in predominantly black neighborhoods and went to predominantly black schools. And hip-hop is what I grew up listening to in my teenage years. Basically I'm just being myself.
I grew up listening to a lot of rap music. My dad's a DJ from Brooklyn, and he's a very soulful guy, so he always spun a lot of hip-hop, and that's where I get a lot of my hip-hop influence.
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
When I was growing up, hip-hop music existed as American thing. If you listened to it you were listening to an American subculture, whereas now you're just listening to pop music that everyone shares. I think that's big.
I grew up on rap and hip-hop and fell into dance music. Hip-hop died down, and I moved more into dance music, disco and house. It feels very natural. My rhythm growing up on hip-hop and R&B was cool, fresh, and I feel comfortable with it.
I grew up in a household listening to hip-hop music.
I grew up with, maybe not the best hip-hop in the world, but a lot of hip-hop. Will Smith was, like, my jam when I was, like, 9 or 10 years old.
I grew up listening to hip hop and embracing black culture, probably because it was 'outsider art.'
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
You start learning English in fifth grade. I was 12. But even before then I was listening to American music. My neighbor was a really big hip-hop fan, so he taught me everything around hip-hop.
My mum and dad used to listen to a lot of R&B and soul, so this was the way I grew up. Hip-hop, of course. But then as I grew older, I started listening to everything.
You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music
Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
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