A Quote by Wyatt Cenac

Watching something is a personal experience, and I think watching something that is dealing with a heavy subject matter, it's a personal thing. — © Wyatt Cenac
Watching something is a personal experience, and I think watching something that is dealing with a heavy subject matter, it's a personal thing.
I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.
I would not describe myself as a political writer except in the sense that the personal is political, which is something that I do strongly believe. And in that sense American Gods is a very personal novel and a political novel. I was trying to describe the experience of coming to America as an immigrant, the experience of watching the way that America tends to eat other cultures.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
When you are playing someone who is dealing with issues on a really personal level, if you don't bring your own issues into the equation, it's not going to feel really personal to the people watching it.
I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.
I'm attracted to images that come from a personal exploration of a subject matter. When they have a personal stamp to them, then I think it becomes identifiable.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
I always had watched pro wrestling. I happened to be watching the WWE Network one day and started watching differently: I wasn't watching it as a fan, but instead I was watching it as something that I could possibly be a part of.
I think there are things that are based in your own dealings with someone that is a personal dealing, not a public dealing. Because you have personal experiences.
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
The idea that any photography can't be personal is madness! I see something; it goes through my eye, brain, heart, guts; I choose the subject. What could be more personal than that?
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
I think if you're watching 'Dumb and Dumber,' I don't know whether you need to buy the Blu-ray of a comedy or something like that. But if you're watching 'Event Horizon,' 'Death Race,' 'Alien vs. Predator' I mean, I think these movies are definitely enhanced by the Blu-ray experience.
I think people direct good films when they feel personal to them, not because it's a famous book or something. It has to something move over that and somehow become personal to the director.
When you're watching a movie and find yourself getting emotional, it's because you're bringing something personal to the images. It's the same thing with acting. You're bringing the essence of your core emotional being to that moment.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
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