Getting a Grammy nomination for 'Brooklyn' meant a lot, especially because, as an album, it was one that was very personal to me but also one that I self-produced and had gone outside the label.
I need a Grammy or a nomination. Just give me my nomination.
I've dreamed a lot of things and a lot of them have come true. The Grammy nomination was the last thing on my list before I had to write a new one. So I'm working on a new one.
For a time, people were getting arrested for photographing the Brooklyn Bridge. So to me, what it meant to do photography also changed. There was a new kind of politics to it - something that was very aggressive and dangerous - and a presumption that it would reveal some kind of truth or evidence.
I have a lot of milestones that I'm proud of when it comes to music, 'Amerikkka's Most Wanted,' I'm extremely proud of that. Just because of what I had to go through to get that music produced, that album produced.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
I hold 'Mi Tierra,' my first Spanish-language album, very close to me because that was all done in my native tongue and won me my first Grammy.
I think a lot of my dreams have come true, and my next dream is to have a No. 1 selling album. A Grammy-award-winning album.
I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.
So if 1960 had occurred under the old convention system, Kennedy would have had a very hard time getting the Democratic nomination because he would have been rejected by all those people who had worked with him in Washington.
With a Grammy, if you're releasing your record with a major label, you have a chance with any record. You also have a very long shot with every record.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
I knew from a very young age that I wanted to be in that world. But I also understood that being a touring musician meant that you'd be gone a lot and that was going to make other things a lot harder, like having a family.
We were not having any fun, he had recently begun pointing out. I would take exception (didn't we do this, didn't we do that) but I had also known what he meant. He meant doing things not because we were expected to do them or had always done them or should do them but because we wanted to do them. He meant wanting. He meant living.
In the past I've had a very small independent label help me do an album and I'm so grateful for that, but as anybody knows in the music industry, that is down there.
A lot of my students have been quite notable. Notable in both the personal sense - people who have changed my life - and notable in that many have gone on to enormous success in their writing careers. Whether or not I had a lot to do with those success stories, I'm very proud and happy for my former students getting on the map.
The irony is that I don't think we took a step backwards to make 'Group Therapy'. I think we took a step forward because it's a lot more complicated to make that kind of album. I think that album was far more produced than 'American Apathy', and it had a lot more harmony vocals and lots of intricate parts musically speaking.