A Quote by Wyatt Russell
In hockey, there are no second chances, but the great thing about acting is that there actually are. If you do a scene and you think you can do better - take two!
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The great thing about making an ensemble show is it becomes modular. It might work on the page to cut from one scene to another, but on the screen, it's more powerful to take that second scene and move it first or move it later.
Talented people can predict with great accuracy what's about to happen just a tiny bit ahead of their competitors. It might be two seconds ahead, or two hundredths of a second, or two days. Napoleon on an eighteenth century battlefield had something more like a two-day advantage. Wayne Gretzky in a hockey game was probably a second ahead of everyone else on the ice.
I like second chances. I've given people second chances. You have fall-outs with friends, and forgiveness is a great thing to have. It's not easy to forgive. I definitely don't forget, but I do forgive.
See, that's the thing about second chances. It's two people that are there for each other and support each other and care about each other no matter how much they want to deny it. It's about one person doing everything they can to make sure the other doesn't fall and vice-versa. Second chances are about holding on to that other persons hand no matter how hard they beg to let go.
I don't think many people get second chances when it comes to the music scene.
Occasionally, as an actor, you're not... Sometimes, at least for me, I'm not fully in the groove until the second or third take, in which I would not want to just stop. If it's a scene that takes a lot of work and time, sometimes the scene gets better with time, and sometimes it gets exhausted. I think it just depends on the scene.
The slightest thing can ruin a scene, but you must be willing to take chances.
I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.
We are all living longer lives now, so this extra longevity gives us second, third or fourth chances to succeed at something or change careers. It is great to think big, but the formula for success in our time is also to THINK LONG. There is a huge waste of talent out there because people think they are 'too old' or 'too late'. Actually, if you take the span of productive life from 20 to 80, at 50 you still have 50% of productive years ahead of you.
I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
I see all these people talking about acting as a great spiritual thing. It's not. There's no great mystery to acting. It's a very simple thing to do, but you have to work hard at it. It's about asking questions and using your imagination.
The great thing about NYU, and the reason I chose to go there, was the fact that they don't inhibit you as an actor and tell you, 'You only have to study acting. This is it for the rest of your life.' They're really great at balancing other things; you get to study two days a week anything you want unrelated to acting.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
We all have to learn, in one way or another, that neither men nor boys get second chances in this world. We all get new chances to the end of our lives, but not second chances in the same set of circumstances; and the great difference between one person and another is how he takes hold and uses his first chance, and how he takes his fall if it is scored against him.
The thing about Marvel is that they're not - they're into real acting. They're looking for artists that are willing to take chances and are willing to create characters. Even if that character has been around for years and years in comic books, they still are depending on us to create something and take it somewhere else.
I think that some people like to be someone other than themselves when acting, while others are most themselves. I fall into the second camp. For me, acting is a great exercise in getting to the truth about myself.
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