A Quote by Wyck Godfrey

The final battle of 'Eclipse' kind of blows the socks off everything we've seen earlier in the series, because you finally have wolves interacting with humans and vampires in a way that's really sophisticated visual effects that we're doing in it.
There's no way to oversell how spectacular and incredible seeing a total eclipse is. A lot of people think they've seen an eclipse. They think they've seen a partial solar eclipse - even if they've seen a 99 percent partial, it pales in comparison to seeing a complete, 100 percent total eclipse of the sun.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
The evolutionary struggle for survival is really a self-serving series of blows and stabs, and yet it can lead to extremely social animals like dolphins, wolves or, for that matter, primates.
Today, with computer-generated visual effects, everything is possible. So we've seen everything. If it can be imagined, it can be put on screen.
For ages I thought I'd wasted my career doing visual effects, I wanted to be a filmmaker. And then I've learnt at the end of it all that actually visual effects was probably the best training ground I could have had.
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.
There's a pretty epic battle "Part 2" of Twilight. It's really involved and it took us a few weeks to film it, because there was so many of us and it was such a large, massive war. I think they're really gonna love that. I feel like we've been working up to this the whole series and there was a bit of confrontation, but you never really got to see all the vampires go full force.
The vampires in the 'VAMPS' series judge each other as harshly as they judge humans, and basically, vampires don't get along very well. So you've got a culture that's from cradle to grave like the worst high school you've ever been in.
There is this arrogant feeling of being stronger than human. Humans are weak. They submit to their emotions, and vampires do not. Humans are very egoistic, and vampires are not.
So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
I think with vampires, you can't really go wrong. For generations, vampires have been a hit because they're unobtainable, mysterious, sensual, dangerous, kind of sexy.
Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
If you're outside the path of totality eclipse, if there's any way you can get into the path of totality for the eclipse, do it. Take the day off. Take the kids out of school. This is a once-in-a-lifetime opportunity for most people to see a total eclipse, and it is one of the grandest sights in all of nature. It's something you'll always remember, and you'll pass stories of it onto your grandchildren.
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