My first record wasn't even with the Fugees. I was signed to Big Beat Records, so I was signed back in 1989 to the label that the Knocks are on now. You can always tell which generation had the pulse based on how they see things.
Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
I didn't know that Left Eye's dad passed away right when she wanted to tell him that she just signed to LaFace Records. After I signed to Jive Records and just before I put out my first album, my mother passed away. It was very odd how much we had in common.
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry.'
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
I remember when I signed with Kedar Entertainment through Universal Records. It was my first record deal and it's the one I still have now. At that time, there had been a couple of opportunities I was almost given, but at the last minute the giver came back and told me it couldn't happen.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
I was signed to A&M, I was signed to Lou Adler, who had a company within a company, which was A&M Records, and everything - James Taylor, Rita Coolidge, Carole King - I worked on all of that stuff.
After performing in various bands, my big break came when I signed for the record label CBS. I had a couple of hits, then my third single, 'Wherever I Lay My Hat,' reached No 1 in 1983.
For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
When I was 13, I was saying that I wanted to be signed to a label. I was begging my dad to get me signed with somebody.
There was a moment, a few weeks after I signed, that it actually hit me. I was signed to a major label.