A Quote by Wylie Dufresne

We have a funny sort of love/hate relationship with critics because, unfortunately, in the art/commerce dance that we do, they drive people to the restaurant. Regardless of sometimes how well we prepare the food, if people don't know that we're out there, if someone isn't talking about us, you guys aren't coming.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately.
There are “well-known secrets” out there and there are people who are “so happy they could die.” Sometimes people are so sad they have to laugh and sometimes things feel so wrong, they’re right. Basically what I’m saying is, I usually don’t know what people are talking about.
I hate to say 'chain restaurant,' but we're sort of a corporation now. How do we defy that concept, where people assume each restaurant can't be good?
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
Just that sometimes we let other people treat us wrongly because we want to be loved and accepted so badly that we'd do anything for it. It hurts when you know that no matter how much you try, how much you want it, they can't love or accept you as you are. Then you hate all that time you wasted trying to please them and wonder what about you is so awful that they couldn't at least pretend to love you." - Bride
My coming out, like most people's, was and is a gradual process - for no matter how out one is, there are always situations when one's with people who don't know, and one has the choice or, sometimes, the necessity of coming out to them.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
I'm not singer; every time I have the urge to sing something, I don't want to do it in front of certain people. I was always that kid afraid of failing, so I just didn't do things. I don't know how to ride a bike, I don't know how to drive. I broke out of shell a bit, and I still am. I think it's more about trying to be the full person I imagine myself to be, regardless of what that means in terms of labels, shade from people, and all of that.
Most people should be talking about how Floyd Mayweather is a great undefeated future Hall of Famer that's his own promoter and that works extremely hard to get to where he's at. Instead, all you hear is hate and jealous remarks from critics who criticize me and, you know, most of the time, the people that criticize me can't do what I can do.
So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.
It is important to know how influential people think and perceive their countrymen, let's say, especially when you are talking about people in power. I think it can be very revealing how they regard themselves and their relationship or their responsibility to their countrymen. That is vital for us all to know and in order to be able to judge them and evaluate them.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
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