A Quote by Wynn Bullock

What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can't go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you've done. So that's why I say that reason and intuition are not in conflict-they strengthen each other.
To reason logically is so to link one's propositions that each should contain the reason for the one succeeding it, and should itself be demonstrated by the one preceding it. Or at any rate, whatever the order adopted in the construction of one's own exposition, it is to demonstrate judgments by each other.
Without mentioning names, it was other people. Some day, they ought to open the report and find out. But it was other people that knocked down the World Trade Center. So, it's no reason to go into a big - now. But it was a horrible mistake that unfortunately we should never have done it. We have lost trillions of dollars, thousands of lives, wounded warriors, who I love, all over the place. And here is the other part. Iran is taking over Iraq. They have wanted it for decades and decades and decades. They're taking it over.
Reason why we've lasted so long is we write music; we get very intense. We go away from each other, do our own thing, and then we get back together.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
I feel that whatever picture an artist makes it is in part a picture of himself - a matter of identity.
Songwriting is ... all about intuition - this thing pops into your head for a reason and it's up to you to follow it. It's like there's a spirit, or intuitive network, that comes through all of us, but most people don't take the time to think about it or remember it. These little things pop into our heads - it's just a process of intuition. The initial thought comes in a baby state, and you work on that some more.
I'd say that if you had a strained relationship with your mom, for whatever reason, the best thing to do is be open with each other, talk it over, try and work it out somehow as opposed to just putting a wall up and pushing them away.
One paradox I have found is that, the more you use computers in picture-making, the more hand-made the picture becomes. Oddly, then, digital technology is leading, in my work at least, toward a greater reliance on handmaking because the assembly and montage of the various parts of the picture is done very carefully by hand.
I've become wary of interviews in which you're forced to go back over the reasons why you made certain decisions. You tend to rationalize what you've done, to intellectually review a process that is often intuitive.
The young people when I go to McDonald's, the Hispanic clerks will come by, 'Sheriff, can we have a picture?' over and over again. At least they want a picture with me.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
What greater thing is there for two human souls than to feel that they are joined - to strengthen each other - to be at one with each other in silent unspeakable memories.
When we go out with friends for a dinner or something and we have friends that aren't there, for no reason other than they weren't invited because we only had room for a certain amount of people, we just don't post a picture because we don't want anyone to feel left out. What's the point?
Modern culture appears to have adopted a strategy of tragedy. If we come here and say, I didn't intend to cause global warning, it's not part of my plan, then we realize it's part of our defacto plan because it's the thing that's happening because we have no other plan.
Each picture with its particular environment and unique personal relationships is a world unto itself - separate and distinct. Picture makers lead dozens of lives - a life for each picture. And, by the same token, they perish a little when each picture is finished and that world comes to an end. In this respect it is a melancholy occupation.
It's just part of whatever motivates guys and whatever they say. Ultimately it comes down to how well you play. What I've learned over the years, a lot of guys talk. What you need to do is go out there and play, back it up. They've been able to back it up, so that's why it works for them. Hopefully we can go out there and do our talking on the field.
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