A Quote by Wynonna Judd

Sometimes running a corporation, dealing with powerful companies and trying to juggle so many projects takes its toll. — © Wynonna Judd
Sometimes running a corporation, dealing with powerful companies and trying to juggle so many projects takes its toll.
In the past, I had a knee-jerk approach to work, and it showed on screen. I was doing movies for the wrong reasons - trying to juggle dates, do too many guest appearances, take up projects under pressure or for emotional reasons.
I like to do one film at a time. But sometimes, when projects get delayed for reasons beyond my control, I juggle more than one.
When you take a picture you haven't a clue that it is going to be what it is. Maybe you have a clue but you don't really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?
Seven years without a break really takes a toll on you, and you don't even realize it. You're affected by other people, and after a while, sometimes they have love for you, and sometimes they don't.
I think that being in the closet is really hard. It takes a toll on your mind. It takes a toll on you. I think it just makes every aspect of your life more difficult.
I'm going to Queen Mary's [university] in East London and I am trying to juggle it. Sometimes, it's really hard.
Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.
At 25, I made many companies. I was thinking more like a businessman or entrepreneur than a CEO. I created many companies, small companies, medium companies. I tried to be involved in many kinds of activities, in finance, in real estate, in mining.
Coding, it's an endless process of trial and error, of trying to get the right command in the right place, with sometimes just a semicolon making the difference between success and failure. Code breaks and then it falls apart, and it often takes many, many tries until that magical moment when what you're trying to build comes to life.
I juggle so many hats that it takes something really special to convince me to get back to acting in films or TV serials.
The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.
What's fun about chefs is that they're big guys, often, and they might not look like the most athletic people, but they're very powerful people, and they have tremendous stamina... It takes a toll on their body, too.
They are involve in producing products and there are different kinds of people running them, but the principle is the same. A corporation shouldn't have the right. Under American law as its developed over the past century, corporation do have personal rights, but I think that's a very negative development.
There's a terrible truth for many women in the picture business: Aging typically takes its toll and means fewer and less desirable roles.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
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