A Quote by Wynton Marsalis

Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt. — © Wynton Marsalis
Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt.
I can remember back to my early tour days when some fellows didn't think I'd last too long. Nothing physical - they said it was my swing. Some said it was too much of a 'muscle swing' to stand the test of time. One fellow predicted I wouldn't get past 30 out there.
I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing.
A lot of times guys have the tendency to try to kick it too hard or over-kick it. Just like a golf swing, the harder you try to hit it the less chance you have at it going straight.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
The toughest thing in hitting shouldn't be deciding when to swing. It is, for me, deciding when not to swing. You should be swinging from the time you get into the batter's box until something says don't swing.
Tell me what do you do when you've done all you can and it seems like you can't make it through? Well you just stand, stand, stand, don't you dare give up. Through the storm, through the rain, through the hurt , stand through the pain, hold on, be strong, God will step in and it won't be long.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
When you're standing around for an hour doing stand up it's no big deal but when you're standing around watching a show for an hour - it's a big difference. It's annoying - your feet hurt, your back hurts - it's just not the most comfortable way to see stand-up comedy.
Stand up straight and realize who you are, that you tower over your circumstances. You are a child of God. Stand up straight.
I don't think too much about mechanics. I just like to go up there and swing. It's more than my swing, though. It's my mindset. I always go to home plate with a plan.
Her heart's too hurt...you frightened her. And she's such a straight lady--she sees shame where some of us just see people.
"My swing is too fast" may be the biggest misconception ever. Think about it. If you take a fast, lousy swing and slow it down, all you've got left is a slow, lousy swing. Most people swing too slow, not too fast.
Get used to dealing with failure as long as it doesn't hurt people around you, as long as it doesn't hurt you physically, or it doesn't hurt you so much that you can't pick yourself up.
The big thing is, it's about learning which off-speed pitches to swing at. A lot of people say, 'Oh, this guy can't hit a curveball; this guy can't hit an off-speed pitch.' But it's about swinging at the right one. Swing at the hangers. Swing at the ones you can handle.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
I am fine playing 'Law & Order' and even the 'Jurassic' movies to be straight up, as far as the characters being portrayed there, but I never want to stay in straight-up land too long. I always wanted to do something where the character's world gets to be explored.
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