A Quote by Wynton Marsalis
Jazz celebrates older generations and not just the youth movement. When you "sell" only to people of a certain age, you get cut off from the main body of experience. The power of couple dancing and courtship, it's elegant, and you wouldn't realize America was once a nation of dancers and singers today. People of all races could dance and sing.
Related Quotes
Jazz celebrates older generations and not just the youth movement. When you 'sell' only to people of a certain age, you get cut off from the main body of experience.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I think when you're doing a musical, you have to be attuned to the director's vision. You're working with a variety of people, singers and dancers, so you have to create movement and dance that is for all abilities. You have to further the story through the dance.
Conversations are like dances. Two people effortlessly move in step with one another, usually anticipating the other person's next move. If one of the dancers moves in an unexpected direction, the other typically adapts and builds on the new approach. As with dancing, it is often difficult to tell who is leading and who is following in that the two people are constantly affecting each other. And once the dance begins, it is almost impossible for one person to singly dictate the couple's movement.
You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
There are two ways of being creative. One can sing and dance. Or one can create an environment in which singers and dancers flourish.
Dancing is really a way of working out and it can actually be fun. In dancing there might be a certain dance move that requires you to do a squat. Certain dance moves will require you to move your core. That's what people don't understand.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
My investigation of movement has led me to choices which vary from traditional norms. My dancers and I see the rehearsal as a laboratory for testing scientific principles on the body. We invent action ideas which we think are archetypal, noticeable, understandable. The outcome is a mixture of slam dancing, exquisite and amazing human flight and a wild action sport which captures kids, older people and the general public’s hearts and minds and bodies.
One of the best ways to realize that age is an illusion is to have your body get older and realize that you are who you always have been.
I wouldn't even say I'm really good at dancing, I'd just say I'm not shy to movement. At a young age, people would laugh at me moving. None of it looked like it should have been called a dance move. But it was just me being goofy.
Women tend to be conservative in youth and get more radical as they get older because they lose power with age. So if a young woman is not a feminist, I say, 'Just wait.'
Women tend to be conservative in youth and get more radical as they get older because they lose power with age. So, if a young woman is not a feminist, I say, just wait.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship.
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