A Quote by Wynton Marsalis
The arts speak across epochs. If you think that people started to build a cathedral in 1315 and the people worked on that cathedral, it wasn't going to be finished until 1585. So they were thinking 200 years from now. Maybe by the time I die, this wall might be put up.
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He who bears in his heart a cathedral to be built is already victorious. He who seeks to become sexton of a finished cathedral is already defeated.
It seemed she was in a cathedral—if, that is, the earth itself were to dream a cathedral into being over thousands of years of water weeping through stone.
Philadelphia caught my attention in 1995 when a group of homeless families were living in an abandoned cathedral. Even from the beginning they connected theology with what they were doing. They put a banner on the front of the cathedral that said, "How can we worship a homeless man on Sunday and ignore one on Monday."
The information that was contained in a cathedral was based upon a common culture - a common Christian culture - and the elements were chosen for a common symbolic meaning. Someone who knew everything that was represented in a cathedral had a sort of encyclopedia - you can indeed call it that - but it was a selective encyclopedia, like encyclopedias back when they were books and the people writing them were supposed to be specialists in their field. I think today the problem is that people don't know how to choose between different kinds of information.
Put three grains of sand inside a vast cathedral, and the cathedral will be more closely packed with sand than space is with stars.
When I started to build this cathedral, the word on the street was that I was crazy.
Nobody has ever called Shea Stadium a cathedral. In style, it was more like the old warehouse or outdated movie theater that Korean worshippers have transformed into a church in the borough of Queens. Not a cathedral - but a place where people go to be fulfilled, nonetheless.
In Montreal, when I grew up, I'd go to the Notre-Dame Basilica, a gorgeous cathedral in town. I'd listen to huge symphony orchestras, Pavarotti singing operas; that was absolutely marvelous. I like that aspect of the cathedral, the spectacle.
When I finished performing 'I Won't Give Up' for the first time, I opened my eyes, and I think there was maybe six people in there when I started, and when I finished there was about 30 people, all standing around with their jaws dropped in complete silence. I said, 'Okay, I think this song has some power to it.' So coffee shops work for me.
A parable: A man was examining the construction of a cathedral. He asked a stone mason what he was doing chipping the stones, and the mason replied, "I am making stones." He asked a stone carver what he was doing. "I am carving a gargoyle." And so it went, each person said in detail what they were doing. Finally he came to an old woman who was sweeping the ground. She said. "I am helping build a cathedral." ...Most of the time each person is immersed in the details of one special part of the whole and does not think of how what they are doing relates to the larger picture.
People come out to rough me up because they think I'm not going to play well. And maybe when I was in my teen years it worked well. But I'm used to it now.
You know, you look at Israel - Israel has a wall and everyone said do not build a wall, walls do not work - 99.9 percent of people trying to come across that wall cannot get across and more. Bibi Netanyahu told me the wall works.
Avoiding climate breakdown will require cathedral thinking. We must lay the foundation while we may not know exactly how to build the ceiling.
You can't build a cathedral in a day. A look at the club's history tells you these things take time.
Mexico is not going to build it [a wall], we're going to build it. And it's going to be a serious wall. It's not going to be a toy wall like we have right now where cars and trucks drive over it loaded up with drugs and they sell the drugs in our country and then they go back and, you know, we get the drugs, they get the cash, okay, and that's not going to happen.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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