A Quote by Wynton Marsalis

I wanted to make somebody feel like Coltrane made me feel, listening to it. — © Wynton Marsalis
I wanted to make somebody feel like Coltrane made me feel, listening to it.
I wanted to find a way to speak for people. It was important for me, because so many people spoke for me when I was a kid and made me feel less invisible, and I wanted kids or whoever is listening to my music not to feel so voiceless.
Listening to Ozzy Osbourne at full blast always made me feel a little bit better. It made me feel like I wasn't alone.
Because I don’t feel broken when you look at me. (Acheron) How could you feel broken? (Tory) I was shattered as a child and thrown away, like a piece of trash no on wanted. But you don’t treat me like that. You see in me the human bit and you touch that part of me. You make me feel whole and wanted. (Acheron)
Everyone just wants to feel good, and I don't think that all music is designed to make you feel good. Sometimes it's to make you feel amped, or angry, or nervous. I was listening to a lot of Public Enemy when I made the record.
Barefoot or first thing in the morning, I feel beautiful. I didn't always feel that way, but I feel that way now. When somebody loves you, and when you make somebody else happy, when your presence seems to make them happy, you suddenly feel like the most beautiful person in the world.
One of my beliefs as a filmmaker is that if you can make somebody laugh, you can make them listen. With laughter, you can get somebody's guard down, you can open them up to listening to you. They don't feel like they're being preached to or talked down to. I think it helps, it makes really hard to understand information a little more accessible and palatable. And at the end of the day, it makes a movie a little more fun. It doesn't feel so heavy handed.
'Hatful of Hollow' and 'The Smiths' were lent to me, and they made me want to create music that might make another person feel like they made me feel - to have an effect on someone.
If you think about it, we love others not for who they are, but for how they make us feel. In order to willingly accept the direction of another individual, it must make you feel good to do so...If you believe what I'm saying, you cannot help but come to the conclusin that those you have followed passionately, gladly, zealously~have made you feel like somebody...This business of making another person feel good in the unspectacular course of his daily comings and goings is, in my view, the very essence of leadership.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
I understand that it's a business, but I feel like good business would be wanting to make a player who performed at a high level on your team happy and want to feel like he wanted to be kept and feel like they wanted him to play here forever.
As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion.
I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.
Those you have followed passionately, gladly, zealously have made you feel like somebody. It wasn't merely because they had the job or the power -- they somehow made you feel terrific to be around them.
For me, changing the sound and listening to new music - that's just so fun. Sometimes it works and sometimes it doesn't. You're never going to please everybody. I feel that at the end of the day, I should make what I want to make since somebody is going to hate it and somebody is going to love it too. I can't control that.
I feel like I've got the skills to be at the top, I feel like I've got the mind-state, so basically what I'm saying is there's people all around me, there's artists all around me that are in my zone, but I still feel alone. I feel like I can't relate to them as much as I can related to maybe somebody that was a little bit higher up.
And I did feel there was an album to be made about winter that can make you feel the way Sinatra and Johnny Cash and Patsy Cline make me feel - warm, nostalgic and comforted.
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