A Quote by X. J. Kennedy

I don't think anybody is a poet 24/7, only in those rare moments when a person is producing a poem. — © X. J. Kennedy
I don't think anybody is a poet 24/7, only in those rare moments when a person is producing a poem.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality.
The poem that comes closest to saying what I think is the one in Human Wishes called "Rusia en 1931." This poem is about [Osip] Mandelstam, who was a great poet and an anti-Stalinist, and [Cesar] Vallejo, who was a great poet and a Stalinist.
I'm trying to find these rare moments where you feel completely illuminated. Facts never illuminate you. The phone directory of Manhattan doesn't illuminate you, although it has factually correct entries, millions of them. But these rare moments of illumination that you find when you read a great poem, you instantly know. You instantly feel this spark of illumination. You are almost stepping outside of yourself and you see something sublime.
I find myself absolutely fulfilled when I have written a poem, when I'm writing one. Having written one, then you fall away very rapidly from having been a poet to becoming a sort of poet in rest, which isn't the same thing at all. But I think the actual experience of writing a poem is a magnificent one.
I know that in a poem, even when the speaker is speaking from the poet's experience, there's always something that's borrowed, some authority that sits outside of the poet that the poem has claimed. There's a dramatic pitch that makes the speaker capable of saying something more courageous or stranger or simply other than what the poet would be able to say.
In those rare moments, when such a person comes along, we need to put aside our plans and reach for what we know is possible.
In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem.
During those rare moments of creativeness, when a person has something in common with the making of the universe, he feels a sense of transcendence. What could be a greater reward?
I want to reiterate that my understanding of the poem is not the poem's core, true meaning. Once a poem goes out into the world, the poet is just one more reader.
The poet is in the end probably more afraid of the dogmatist who wants to extract the message from the poem and throw the poem away than he is of the sentimentalist who says, "Oh, just let me enjoy the poem."
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
The poet must work with brush and paper,but this is not what makes the poem. A man does not go in search of a poem - the poem comes in search of him.
The day is made up of 24 hours and an infinite number of moments. We need to be aware of those moments and make the most of them regardless of whether we're busy doing something or contemplating life.
But sometimes life gives us those rare moments where we do see chance as it’s happening. And in those moments, we have a choice. And sometimes we have to take a risk. And it’s scary. It makes us vulnerable. But I know now it’s worth it.
No matter what our achievements might be, we think well of ourselves only in rare moments.
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