A Quote by Xander Schauffele

I always felt there was a chip on my shoulder at the junior stage, the amateur stage. — © Xander Schauffele
I always felt there was a chip on my shoulder at the junior stage, the amateur stage.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
I'll always have a chip on my shoulder until I hang my shoes up. No matter how long I play this game, the chip on my shoulder will always be there. That won't change.
You've always got to have a chip on your shoulder. No. 1, I'm a small player, so I've always had that chip on my shoulder my whole life.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
I play with a chip on my shoulder always, I feel like people don't always give me credit for my skills and talents and that's just the way it is. I also don't care too much, I don't feel like I'm crazy disrespected. I have a chip on my shoulder at all times.
I've always had that chip on my shoulder, felt the need to prove myself.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
Obviously, having my dad's last name, I think that's more the chip on my shoulder because it has been a mixed blessing. I always will have the Flair stigma, and I think that's where I deserve to be there or this, or I'm not just his daughter. I think that's the chip on my shoulder.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
The first time on stage is such a blur to me. I remember how it felt more than anything. I remember everything about the day before I went on stage - what I ate, the first person I met in the club, how I felt beforehand - but the actual being on stage is a total blur.
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
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