A Quote by Xander Schauffele

Some guys talk about swinging through the ball, but I think about impact like hammering a nail. My dad actually had me hammer nails to understand the concept. — © Xander Schauffele
Some guys talk about swinging through the ball, but I think about impact like hammering a nail. My dad actually had me hammer nails to understand the concept.
Growing up on Franklin Road in Nashville, I had everyone from Johnny Cash to Fats Domino swinging by my house to talk with my mom about my dad. So I had some pretty diverse influences, and I think that shows in my music.
As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer.
For years, I've been so passionate about nail art and about doing my nails constantly, with different nail artists from around the world.
I like to make music that feels good, that I can listen to with my mom and dad. I don't think you'll see me swinging on a wrecking ball any time soon! But if I do, that will be a day! My dad might have a heart attack.
As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer. Likewise, the bicycle is alive and well. It was invented in a world without automobiles, and for speed and range it was quickly surpassed by motorcycles and all kinds of powered scooters. But there is nothing quaint about bicycles. They outsell cars.
When you have a hammer, all problems start to look like nails. But nations without great military power face the opposite danger: When you don't have a hammer, you don't want anything to look like nails.
My humour comes from acknowledging different communities. That's what my fans are responding to - they know that I 'get it.' I understand them. I take the time to understand them. I get more complaints from people when I don't talk about them. I've had guys come up to me after a show and go, 'You didn't talk about Latvians!'
I understand what 'Lost' was, and I count my blessings. I'm usually happy to talk to people. I don't think I've ever had anybody say anything negative to me about it except, 'I didn't get the ending. What the hell was that all about?' And I'm like, 'Talk to Damon Lindelof!'
Writing is like anything - baseball playing, piano playing, sewing, hammering nails. The more you work on it, the better you get. But it seems to take a longer time to get better at writing than hammering nails.
You should never do two things. You should hammer one nail all your life, and I didn't do that; I hammered on a lot of nails like a xylophone.
I think we need to understand what we mean when we talk about closure, we don't mean transfer or prosecute which is what many of the critics of Guantanamo would like to see happen. When the US government talks about closing Guantanamo, they talk about moving some set of detainees to some other place where they continue to be detained without charge.
Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
Golf is me and buddies out having a good time, but most of all, golf is about me and my dad. Anytime I think of golf, I think about my dad. He taught me how to hit a golf ball, and he got me playing.
I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
Personally, I think government is a tool, like a hammer. You can use a hammer to build or you can use a hammer to destroy; there is nothing intrinsically good or evil about the hammer itself. It is the purposes to which it is put and the skill with which it is used that determine whether the hammer's work is good or bad.
I have an odd fetish with nails. I was always doing beauty blogs about nails, and it would be on Fridays called 'Friday's Fingertip Fetish.' It became so popular that a nail polish company approached me, and Fingertip Fetish was born.
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