A Quote by Xavier Dolan

A movie that is unable to elicit emotion isn't a movie. — © Xavier Dolan
A movie that is unable to elicit emotion isn't a movie.
When I go to the movie theater, I want to get emotion from the actors in the movie.
I really want a movie made on Sachin Tendulkar's life. That is something I'm looking forward to. There will be so much emotion to that movie.
A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.
It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about.
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.
A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.
You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
If you're a content creator looking to elicit a certain emotion, we can validate that. In cases where an ad is trying to elicit humor, we can tell you if people get the jokes or not by the number of people who smile, the intensity of the smile, and the timing of the smile.
Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
This site uses cookies to ensure you get the best experience. More info...
Got it!