A Quote by Xavier Dolan
I have struggles in screenwriting that lead me to a third act that's always more or less efficiently wrapped up in a fourth act that's trying to give closure to too many things.
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The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
I always think out a problem as clearly as possible, and then act on it. My theory has always been to get started. The moment I get an idea I act upon it. If only people would act on more of their ideas, I am convinced they would lead more interesting lives.
If you do not want what I want, please try not to tell me that my want is wrong. Or if my beliefs are different from yours, at least pause before you set out to correct them. Or if my emotion seems less or more intense than yours, given the same circumstances, try not to ask me to feel other than I do. Or if I act, or fail to act, in the manner of your design for action, please let me be. I do not, for the moment at least, ask you to understand me. That will come only when you are willing to give up trying to change me into a copy of you.
Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.
The conviction: I will not tolerate this age. The freedom: the freedom to act on my conviction. And I will act. No one else has both the conviction and the freedom. Many agree with me, have the conviction, but will not act. Some act, assassinate, bomb, burn, etc., but they are the crazies. Crazy acts by crazy people. But what if one, sober, reasonable, and honorable man should act, and act with perfect sobriety, reason, and honor? Then you have the beginning of a new age. We shall start a new order of things.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
If mothers are told to do this or that or the other,... they lose touch with their own ability to act.... Only too easily they feel incompetent. If they must look up everything in a book, they are always too late even when they do the right things, because the right things have to be done immediately. It is only possible to act at exactly the right point when the action is intuitive or by instinct, as we say. The mind can be brought to bear on the problem afterwards.
The very act of writing assumes, to begin with, that someone cares to hear what you have to say. It assumes that people share, that people can be reached, that people can be touched and even in some cases changed. So many of the things in our world lead us to despair. It seems to me that the final symptom of despair is silence, and that storytelling is one of the sustaining arts; it’s one of the affirming arts. A writer may have a certain pessimism in his outlook, but the very act of being a writer seems to me to be an optimistic act.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
If you like to make things out of wood, or sew, or dance, or style people's hair, or dream up stories and act them out, or play the trumpet, or jump rope, or whatever you really love to do, and you love that in front of your children, that's going to be a far more important gift than anything you could ever give them wrapped up in a box with ribbons.
I'm an actor that loves to eat on camera. I love it. Something about the act of eating means that you actually can't act as much. You have to be involved in the very real task of trying to ingest sustenance without choking and dying. Something about that process takes the heat off trying to act and often feels more natural.
Someone told me once - I mean I said, "Is it ok that I don't really know what the three-act structure is?" And he said, "It's basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down."
The reason 'closure' is a cliche is that it is used too often, too imprecisely, and doesn't in any case reflect reality. In reality, such closure in broken friendships and much else in life is rarely achieved; only death brings closure and then not always for those still living.
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