A Quote by Xavier Dolan
'Titanic' made me want to tell stories... To have all these characters and costumes and have ambition and think big and have dreams... It came at a very troubled period of my life.
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I think 'Game of Thrones' was extraordinary. I want to do some period pieces. It would be lovely to tell great stories, that is my main ambition. And to be working with amazing creators.
Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
This is my life - I want to tell stories. There is something huge inside me that pushes me to tell stories, and tell stories for an audience and everybody.
Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.
I want to have a lengthy career. I want to play interesting characters. I want to tell beautiful stories, complex stories, deep stories.
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
Although my stories are all very different on the surface, I like to write stories about characters struggling with big problems. I'm always reminded, no matter how different from me one of my characters is from me on the surface, how we're all pretty much the same underneath.
When it comes to period stuff, I think it's great to see South-Asian actors get their foot in the door there, because it's nice to tell period stories and tell it in a way that reflects the world now.
I was born in the year the Titanic sank. The Titanic went down, and I came up. That tells you a little about the fairness of life.
I first studied to be a preacher, but decided that I was too prone to tell big stories. Then I studied Blackstone for a while and soon learned that I was not adept enough at prevarication to make a successful lawyer. I then made up my mind that I would seek some field where I could tell big stories and tell the truth.
I think it's maybe because Sergeant Pepper's came out when I was about 13 or 14 and that was a pretty impressionable age, and it was such a kind of radical period. But that period of the Beatles really had a big influence on me and I think are directly related to hyperinstruments.
I want to tell good stories, real stories with a message and I want to play meaty characters that drive the story.
The truth about being a writer is you do not choose the stories you tell, but stories choose you. You do not choose, therefore, characters either. Novels are like dreams you dream with your eyes open; they are books which appear in your head with the same apparent immediateness as they appear in your dreams at night. A writer always writes their obsessions and the truth is that all throughout life we end up writing the same thing in different ways.
If I had done 'Titanic,' it would have made, probably, $200,000 - worldwide. So I think my life would have been very, very similar.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
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