A Quote by Xavier Gens
For me it's important to get the origin of the character like in the Richard Donner superman. We saw him became slowly a super hero but i think it's important to take time and stay realistic.
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They fired director Richard Donner because they didn't want to pay him, and he's the reason the franchise became so successful in the first place. There's a big part of Superman II that he did that no one has ever seen.
I'd been a Superman fan since the time I was a little kid. We had great respect for the Donner movie, and Superman II with Terence Stamp as Zod but I felt it was time to bring the character into the 21st century.
I believe in the institution loyalty and love, to stay with someone in good and hard times. I don't think a piece of paper or anything else can force you to do that. For many people get marry is super important, for me, the important thing is finding someone.
With Superman, super powers are just ancillary. It's that character, with all those principles and understanding... that's who he is right there. I think I tried to portray a sense of trust and power and charisma for Superman. That's what we believe Superman is.
No matter what...ball made my heart beat faster, made me want to jump up and down and be Superman. That's what life was about anyway, being Superman and living like life itself was important. Basketball made my life important.
It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.
'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.
I think that Curt Swan, when he did Superman for the longest time, became the definitive Superman artist, and everybody got it. That made him very, very special in the annals of comic books.
I saw 'Six Degrees of Separation' because my brother was in it. It was a watershed experience. It was theatrical and scary, and New York functioned like a character. John Guare became a hero for me.
Jan. 26, 1979, was the most important day of my life. Because that's the day that I saw 'Superman: The Movie.' I came out of it knowing that no matter what the rest of my life was going to be like, it had to involve Superman somehow.
People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have to let that lead you.
I love when I get compliments on my shirts all the time. I'm a t-shirt guy, and I think nine times out of 10, they have some kind of super hero character on them.
We hung out a lot together. We went and saw films together. It was really actually quite easy. I think we were all very subconsciously connected in knowing that we needed to make it important, and therefore it just became important and it worked. Everybody had a lot of respect for each other. I think respect is the most important thing you can have.
I don't like James Bond. They made him a super hero, but he is just an agent, a human being. In my movies, secret agents are more realistic, I didn't want to portray them in the most glowing colours.
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
I think this movie, 'Moneyball,' symbolizes becoming a man for me, and I think my character becomes a man. It's important to me: I'm becoming a man. I'm taking my life seriously. I'm taking my acting really seriously, and it's important for me to play adults. It's important for me to change and develop as I get older.
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