A Quote by Xavier Gens
For Daredevil I think Sam Wortington could be very great and intense for this character. For the vilain it's depênd of the story.
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Sometimes I can't get out of the character because the story is very intense.
Sam Jackson is a director's dream. Some actors hope to find their character during shooting. He knows his character before shooting. Sam's old-school. I just got out of his way. I never did more than two takes with Sam.-william friedkin
I'd love to see Peter Parker and Daredevil hang out. There's a wonderful issue of the comics where Matt Murdock has to defend Daredevil, because the public don't know, and so he has Peter Parker put on his Daredevil outfit so that he can sit in the docks. You know, great storyline.
Daredevil was known as 'The Man Without Fear,' and I just thought, 'Well, I don't think that's very interesting.' I don't think it's very interesting to watch someone who's incapable of feeling fear. It also removes from the palate my favorite character attribute, which is courage. If you're not afraid, you can't exercise courage.
I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
Sometimes when you're playing a very intense character, a disturbed character, you find other layers. That's much more interesting to me, rather than just playing 'intense.' I find it too boring.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
Well, you have now, Sam, dear Sam,' said Frodo, and he lay back in Sam's gentle arms, closing his eyes, like a child at rest when night-fears are driven away by some loved voice or hand. Sam felt that he could sit like that in endless happiness.
I just really like the characte [Jasper Hale], and I love the story [Twiglight], I think it's a very strong character and I respect him. It's interesting; I respect the character that I play. I don't understand it, but I do. That's a good thing. I think so, I think so. I never felt like that before with a character.
It feels great and it's very beautiful when you can bring someone of your own nationality into a story, where even the historic element of it is important. I loved that I could use my own accent for the character.
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.
There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very important to me.
I never would rule out a great character or a great story. I don't care what the forum is. If I get to tell a story that I'm excited about, I'm in.
When you hire Sam Jackson, he'll figure out the character, and he'll figure out the character's look, and he'll provide it to you. With Sam Jackson, you basically yell 'action', you go get a sandwich, and you come back and yell 'cut.'
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