A Quote by Y. G. Mahendran

I too once thought of producing a musical play on Tyagaraja. People fell at my feet, saying please don't commit such a folly. — © Y. G. Mahendran
I too once thought of producing a musical play on Tyagaraja. People fell at my feet, saying please don't commit such a folly.
I fell for my own hype. I had too many people saying I couldn't be beat, and I actually fell for it.
My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying... It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.
If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.
When I was a teenager, I was trying to please people. I kept changing who I was to please the people I was with. And so once I just decided I wasn't going to do that anymore. I was going to live my life to please God. And so from that day to this, that's been my aim. Some people don't understand, but you can't please everybody anyway.
You probably won't remember me. I'm probably ancient history. I'm one of the chosen few who went ahead and fell for you. I'm out of vogue, I'm out of touch. I fell too fast, I feel too much. I thought that you might have some advice to give on how to be insensitive.
There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.
You've got to be quick on your feet in this world if you want to survive. Though once you know the rules, it is not too hard to play the game.
I never walked the streets of New York hoping to be a musical comedy star. For one thing, they would have thought I was too tall, because l was five feet eight and a half, and they were all little bitty things running around in the studio at that time.
I love saying 'yes' and I love saying 'please.' Saying 'yes' doesn't mean I don't know how to say no, and saying 'please' doesn't mean I am waiting for permission. 'Yes please' sounds powerful and concise. It's a response and a request. It is not about being a good girl; it is about being a real woman.
America has a broken spirit, that the people that are saying, "Please help me, please let me keep my home, please let me keep my car, please recognize me as a vital human being," they are falling on deaf ears.
I once fell 20 feet from a tree, was knocked unconscious, and when I picked myself up and straggled home, my parents thought I was making it up. However, when my brother and I fabricated a story about an encounter with a bear, they believed that! So maybe I learned very early on that fiction was more interesting to listeners!
Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
If you want to please the critics, don't play too loud, too soft, too fast, too slow.
Saying "please" without saying it to someone you don't want to say "please" to in the first place tops the list of hard.
It is the way, isn't it? With humans and free thought. They only learn through terrible mistakes. Free thought does not make wisdom. Instead it creates enough space for men to commit terrible folly, from which the survivors learn through disaster.
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