A Quote by Y. G. Mahendran

The plays that I performed in the '70s are not the same plays that I perform today. However, what they have in common is a solid foundation of a story, and good, healthy comedy.
Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
'Man and Superman,' first performed in 1905, is by common consent one of George Bernard Shaw's greatest and most significant plays, yet hardly anybody performs it today, for the understandable reason that an uncut performance runs for about five hours.
Even though Sachin is great, I have always found Rahul more solid and hard to get out. He has a solid defense and plays less shots than others. When a batsman plays less shots then it is tough to get him as he makes less mistakes.
You can say what you want about Carlos Tevez, but when he plays, he plays to win, and he plays for his team-mates.
I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
We did all the strategy right on the field. Today, the coaches call all the plays, so all the quarterbacks have to do is perform. They are more or less programmed.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
When I was a kid I really liked the guitarist of The Doors [Robby Krieger]. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.
It's my job to get us in good plays, or more importantly, out of bad plays.
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
It's my job to get us in good plays, or more importantly, out of bad plays. That's what I did.
I'd like to be in a position to have plays run through me and share the ball, make plays. Still score, obviously, but make plays, as well.
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