A Quote by Yael Grobglas

I'm usually cast for the more goofy and tomboyish characters. — © Yael Grobglas
I'm usually cast for the more goofy and tomboyish characters.
When I was younger, I went through a lot of different phases. One day I'd be punk rock, and the next I would be tomboyish, and then I would be really girly. I was so weird. My two best friends and I were just crazy and goofy!
When I was younger, I went through a lot of different phases. One day Id be punk rock, and the next I would be tomboyish, and then I would be really girly. I was so weird. My two best friends and I were just crazy and goofy!
It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.
'The Outsiders' cast in particular was a joy to be around - sweet kids, normal goofy teenagers off camera and serious artists on. They were great. I never got them mixed up with the characters, though. Each of them had his own strong personality.
I'm usually cast by people who are oddly goofy.
I try to be more goofy when I'm on set now that I'm more comfortable. In real life, I'm so goofy and super weird. I'm never mean but people don't see the weird side of me.
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
I'd like to work more, but I don't just want to do kind of generic characters. I want to do interesting characters, and I'd like to be cast against type.
Support Group featured a rotating cast of characters in various states of tumor-driven unwellness. Why did the cast rotate? A side effect of dying.
I have such respect for guest actors. They don't know all the characters as deeply as the regulars, and the cast isn't your family, so you have more at stake.
I'm starting to play lots more naturalistic, realistic people than when I first started. Maybe because I was doing character comedy shows, and I was doing slightly weird, oddball characters with weird accents, those were the characters that I got cast to play - which made perfect sense.
I know I'm known for dramas, but around my family and friends, I'm really goofy! Not saying I'm necessarily funny, but I'm very goofy.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
I call it an ensemble cast or the world of 'Gulabo Sitabo' which is about the lifestyle of my characters. I just go and sit there in a corner and observe these characters through my camera. That's how I shot the film.
I spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions.
I had my boundaries and restrictions of doing films so I stopped working in the eighties. This was an era when films were more action oriented. Most of the characters cast in the pivotal roles were either daakus or police inspectors. My face suits neither of these characters. I cannot look like a daaku, so acting had taken a back seat.
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