There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
Don't love deeply, till you make sure that the other part loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.
With manga, in my art style, I don't do much in the way of techniques to create depth. But even though I don't do depth techniques through my art, I am conscious of depth itself.
I find that comedy is my specialty, but drama is slowly starting to move up in that rank. I've always liked playing a character that has depth and that I'm able to bring my own niche to.
I agree that comedy does a good job - and is often about - stepping over the line - Lenny Bruce, etc. - and that this is important for a lot of poets too. I guess I feel like there has to be depth.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
What use having a great depth of field, if there is not an adequate depth of feeling?
The depth of revival will be determined exactly by the depth of the spirit of repentance.
Don't look for "depth" but instead search for subject aspects which prove the presence of depth.
The depth of concern people feel about UKIP is not always matched by depth of understanding.
Details matter. They create depth, and depth creates authenticity.
A talk show is about having a look at a famous face, a bit of stand-up comedy, knockabout stuff - an interview is what Barbara Walters or Connie Chung does in the States, in-depth, done properly.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I've always believed a great photographer should concentrate more on depth of feeling and less on depth of field.