A Quote by Yalitza Aparicio

My skin - very Mexican, very Oaxaquenan, and very human, from the color of my land and the diversity of its colors. — © Yalitza Aparicio
My skin - very Mexican, very Oaxaquenan, and very human, from the color of my land and the diversity of its colors.
I come from a very warm island, where colors are very important, very vibrant, and obviously the color has been an influence on my work.
The truth of who we are has nothing to do with religion or the type of car that we drive or the color of our skin. We are spiritual beings having a human experience. And the human experience part is very temporary. So, things like the bar, love, magic, dancing, and colors are there to remind us to not take all of this stuff so seriously.
Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.
Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.
I made a lot of friends at school, and they were all Africans. I could have felt very different. I didn't feel different, I didn't notice the color of their skin, I didn't notice the color of my skin and I have remembered that all my life.
As an African-American male born with a couple of strikes against you because of your skin color, I think it's very, very important to have some positive role models around, especially male influences.
Humankind has mainly evolved in Africa, and we only left Africa very, very late in our evolutionary path. This means that there is very little genetic diversity among those who left Africa and very much genetic diversity among those who stayed.
Rubber looks different to skin and it's very, very hard to make a prosthetic on a human look convincing if you don't light them correctly.
I am very partial to Lucknow Chikankari work. My colors that I love to work with are ivory based colors, to make it more festive I throw in Mukesh embroidery which brings the color alive.
I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.
In India, you see the way they embrace color in the culture - it's very celebratory of the existence of color. There's no rule of what color belongs together or doesn't belong together. They're not precious about it. It's very full-on.
I'm 100 percent convinced that Pablo Escobar was a human being. And he was a very interesting one. For sure, he was a very, very, very mean and awful human being in many senses, but he wasn't an alien. He was a person. He had friends; people laughed at his jokes. And he was a very contradictory person as well.
I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.
Silk and Shadows is something else. Like brilliant. It got under my skin as very, very few books have. It's still under my skin. Mikhal was haunting.
Latin America is not that different from the rest of the world. Some of us have been trying to get from the edges into the centre, but we're very few. The world is still very resistant to understanding the diversity of human beings.
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