A Quote by Yalitza Aparicio

I have not decided if I want to be a teacher or an actor, because I like both of them. — © Yalitza Aparicio
I have not decided if I want to be a teacher or an actor, because I like both of them.
If I wasn't an actor, I'd be a teacher, a history teacher. After all, teaching is very much like performing. A teacher is an actor, in a way. It takes a great deal to get, and hold, a class.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
I watched the Oscars, but there wasn't a side of me that was like "Oh, one day..." It was mostly "This is what I want to do, and how do I do it?" As soon as I decided that I was going to be an actor, for about five years after that, I just decided to not do much acting. It was like "Okay, this is what you're going to be later on."
My mother was an English teacher who decided to become a math teacher, and she used me as a guinea pig at home. My father had been a math teacher and then went to work at a steel mill because, frankly, he could make more money doing that.
This is the road I have tried to follow as a teacher: living my convictions; being open to the process of knowing and being sensitive to the experience of teaching as an art; being pushed forward by the challenges that prevent me from bureaucratizing my practice; accepting my limitations, yet always conscious of the necessary effort to overcome them and aware that I cannot hide them because to do so would be a failure to respect both my students and myself as a teacher.
What I think it really means is: I'm a teacher. I am a teacher. I teach all the time, as you do and as all of you do-whether we know it or not, whether we take responsibility for it or not. I hold nothing back because I want to see that light go off. I like to see the children say, 'I never thought of that before.' And I think, 'I've got them!'
If you want to be an actor because you want to be recognized on the street and have people ask you for autographs, look for another career. If you want to be an actor because you love being on stage and want to capture a person's heart, go for it.
The way I reacted to 9/11 was I decided I didn't want to do any movies that are sad or critical. I decided I didn't want to make my living depressing people or making them go home sick, so I just decided I wanted to do comedy for a while and study it for a while. It doesn't mean everybody should do that, but that was my reaction.
I had a teacher in Paris, who said that if an actor forgot what it's like to play as a child he shouldn't be an actor. I've always loved being with children. It's marvellous to see the fresh ways they see the world. Watching them look at a tree or a river helps you to understand something that's very important.
You really need to decide, if you're an actor in Hollywood, whether you want to be faithful to the Lord or you want to be popular, because chances are you're not going to be both.
It's funny because I've resisted acting as a career for most of my life. But both my parents told me if I ever want to direct, I should act first because no director should direct until they know what it's like to be in the actor's shoes.
Actors have bodyguards and entourages not because anybody wants to hurt them - who would want to hurt an actor? - but because they want to get recognized. God forbid someone doesn't recognize them.
I actually live a very mediocre lifestyle. So I decided to step back and do things not just for the sake of doing them, but because I believe in them and I want to do them.
When I decided that I wanted to go to college, I wanted to be a school teacher for 7th and 8th grade boys because I felt that was an important time for them. I had gone astray at that point in my life and really wanted to help keep them from making the same mistake I had made.
The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
I met a wonderful girl and decided to get married. And when I married, being an actor I did not think I could balance both cinema and personal life. Very difficult to do that because the cinema takes a lot out of you.
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