A Quote by Yamamoto Tsunetomo
There is nothing we should be quite so grateful for as the last line of the poem that goes, 'When your own heart asks.
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It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.
I'm very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader's attention back into the interior of the poem.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
After the last line of a poem, nothing follows except literary criticism.
I've thought of the last line of some poems for years and tried them out, It wouldn't work because the last line was much too beautiful for the poem.
As your heart goes, so goes your family! If your heart isn't right, no child raising system, rules, or gimmicks will ever work. As your heart goes, so goes your parenting!
This is what you should do: love the earth and sun and the animals, despise riches, give alms to everyone that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men ... re-examine all you have been told at school or church or in any book, dismiss what insults your own soul, and your very flesh shall be a great poem.
The question is grateful to who? You would think grateful to Allah, but Allah didn’t mention Himself. So it could be grateful to Allah, grateful to your parents, grateful to your teachers, grateful for your health, grateful to friends. Grateful to anyone who’s done anything for you. Grateful to your employer for giving you a job. Appreciative. Grateful is not just an act of saying Alhamdulilah. Grateful is an attitude, it’s a lifestyle, it’s a way of thinking. You’re constantly grateful.
Yes, there is a Nirvanah; it is leading your sheep to a green pasture, and in putting your child to sleep, and in writing the last line of your poem
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Nobody can refuse a person who comes and asks for a job. Nobody can refuse a poor man when he goes and asks for food. Nobody can stop any Indian if he asks a question of his government. This is what the Congress party and the UPA have done over the last 10 years.
Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.
Readers bring their own experiences, their own range of - their own wisdom, their own knowledge, their own insights to poem and the meaning of a poem takes place in the negotiation between the poet, the poem and the reader.
Social media's currency is the single photograph. Whereas, every time I look at a photograph, I look at twenty or thirty photographs. I'm looking for a narrative. And that's a different kind of construct. If you're a poet and you put a line from your poem online, "The trees bending over gracefully," or something, you can get a tick. But that has nothing to do with your longer poem.
The only question that nobody ever asks is: What breaks your heart? I think that should be asked of all "artists."... So, what breaks your heart?
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
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