A Quote by Yamamoto Tsunetomo

When one is writing a letter, he should think that the recipient will make it into a hanging scroll. — © Yamamoto Tsunetomo
When one is writing a letter, he should think that the recipient will make it into a hanging scroll.
Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
This at least should be a rule through the letter-writing world: that no angry letter be posted till four-and-twenty hours will have elapsed since it was written.
Writing should ... be as spontaneous and urgent as a letter to a lover, or a message to a friend who has just lost a parent ... and writing is, in the end, that oddest of anomalies: an intimate letter to a stranger
I consider it a good rule for letter-writing to leave unmentioned what the recipient already knows, and instead tell him something new.
Think about these things and see if they make sense to you. You will find that work will no longer be a four-letter word. It will be a three-letter word: fun.
As usual, the note occupied less than a page and included neither salutation nor closing, Uncle Hal's opinion being that since the letter had a direction upon it, the intended recipient was obvious, the seal indicated plainly who had written it, and he did not waste his time in writing to fools.
A real love letter is absolutely ridiculous to everyone except the writer and the recipient.
A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
I have always been a letter writer, and I found when my numbers got over half a million, I couldn't think about how many people there were out there. I had to think as if I were writing a letter to my brothers and sisters, to my good friends with whom I have had a correspondence since I could hold a pen.
The scroll is coming back (Twitter is a scroll.)
This is the task, I think, of a letter movement. But it should be set up only in states where a significant response can be achieved, for a letter movement necessarily presupposes a strong organization.
Letter-writing I imagine is counted as 'work' from which you must abstain, and I scribble this letter simply from the self-satisfied notion that you will like to hear from me. You see, I have asked no questions, which are the torture-screws of correspondence. Hence you have nothing to answer.
The calligraphic letter is not entirely a letter, but something that sits between writing and music
If you are in doubt whether to write a letter or not, don't. And the advice applies to many doubts in life besides that of letter writing.
And here I am, instead of there. I'm sitting in this library, thousands of miles from my life, writing another letter I know I won't be able to send, no matter how hard I try and how much I want to. How did that boy making love behind that shed become this man writing this letter at this table?
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