A Quote by Yami Gautam
Consciously picking the right script after a long period of wait helped me grab a perfect film in the rom-com genre.
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After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
There were some inquiries after I bagged 'Shivajinagara.' I have consciously decided to wait till the film releases as I want to do similar roles.
After I made my first short film that wasn't terrible, people were interested in potentially developing a feature with me. Every time I read a script, it was a bizarre, too-dark, genre-less thing that no one wanted to make.
After 'Hero,' I was waiting for the right script and when 'Mubarakan' came to me, I knew I would enjoy working on a film like that.
I really liked the script of 'Alone.' I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
What I think is sad about the rom-com genre is that it has adopted this pejorative title. I think the reason why there haven't been as many great ones is because we are fighting against the genre itself. If it is a romantic comedy then snuggle up to the fact that it can be a really earnest, refreshing feeling to feel good after a movie.
The power dynamics in a relationship are going to be fluid over a long period of time, so to wait for 'perfect' is going to be a mistake.
I don't care what genre is offered to me... be it comedy or not. For me, it can be anything as long as the script is good.
We were fortunate enough to shoot 'Alps' - write the script and shoot it - right after 'Dogtooth' premiered in Cannes. So we didn't just sit around and wait to figure out what to do because 'Dogtooth' was successful. We just wanted to make another film fast, so we just went ahead and did it.
A writer needs to write, period. He or she can't wait for the muse, shouldn't need peace and quiet, and isn't entitled to perfect conditions or the perfect spot.
I was waiting for good films after 'Fugly' released. My second film was important. I kept waiting, and the period strengthened me. I would rather wait and do something worthwhile than take up bad films.
My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!"
We love genre, but in film if you make a genre film it has to all be about the genre. We were excited to be able to tell more complex stories on television.
The world under heaven, after a long period of division, tends to unite; after a long period of union, tends to divide. This has been so since antiquity.
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