A Quote by Yami Gautam

It's a coincidence that most of the films I have done are to do with social causes. — © Yami Gautam
It's a coincidence that most of the films I have done are to do with social causes.
The debate on healthcare was not done like most of our conferences are done - meaning it was not all on television. There was this procedural feeling that the bill wasn't done thoroughly and didn't reflect peoples' wishes. It's not coincidence that upwards of 60 percent of folks in my district are against it.
The 10% between 90% done to 100% done takes most of the time, causes most of the stress, but is all of the value.
So it's a coincidence. Just like you said. Two rich parents with two rich kids at the same school. They're both killed in accidents. Why are you so interested?" "Because I don't like coincidence," Blunt replied. "In fact, I don't believe in coincidence. Where some people see coincidence, I see conspiracy. That's my job.
Most of the films I've done haven't done particularly well. I'm surprised I'm continuing to work.
People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be.
I've done approximately 15 films, and most of the things I've done have either been stunt or costume work.
There's a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.
Since the fabric of the universe is most perfect and the work of a most wise Creator, nothing at all takes place in the universe in which some rule of maximum or minimum does not appear ... there is absolutely no doubt that every affect in the universe can be explained satisfactorily from final causes, by the aid of the method of maxima and minima, as it can be from the effective causes themselves ... Of course, when the effective causes are too obscure, but the final causes are readily ascertained, the problem is commonly solved by the indirect method.
I want to make films that are political and social. Films with a message or an idea. Films that dare to ask.
The key fact missed most often by social scientists utilizing documentary films for data, is this: documentary films are not found or reported things; they're made things.
I've done so many genres of films in my career; I've done 91 films so far. But never a thriller. That's how 'Oppam' happened.
I've done 21 films in eight years, and I've said 'No' more times than I've done films.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia.
I don't think it's a coincidence that 'The War Room' and 'A Perfect Candidate' are films that have been consistently shown and available for rental for 20 years. These are films that are more about the moment in which they were filmed: they also have a great deal to say about larger issues about who we are as a country.
Altruism is one of the most fundamentally social impulses, and doing things for others without expecting anything in return is core to what makes us human. This is why, from the day Facebook Platform launched in 2007, Causes has been honored to be one of the most popular applications, with over 140 million users.
This site uses cookies to ensure you get the best experience. More info...
Got it!