A Quote by Yami Gautam
I am not from a film family or a Mumbai girl. The probability of getting a second chance is low, and so one has to be more careful.
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When you shoot for a film, mistakes become very easy to manage. If you fumble, a retake can mend it all. You always have another chance , whereas when you work on the stage, you have to be extremely careful. There is no second chance as such.
Though Suparna is a Malayali, she has spent a large part of her life in Mumbai. She's a Mumbai girl. In fact, I saw the real Mumbai through Suparna's eyes. Of course, I knew Mumbai before I got to know Suparna. But it was Suparna who showed me sides to Mumbai I had never seen.
I am a low-key girl from a middle-class family of a small village.
ONE MORE CHNCE. Words that my mother heard, more than once. Words that women debate. Whether you CAN forgive and whether you SHOULD trust. I think of all the judgment from society, friends, and family, the overwhelming consensus seeming to be that you should not grant someone who betrayed you a second chance. That you should do everything you can to keep the knife out of your back, and to protect your heart and pride. Cowards give second chances. Fools give second chances. And I am no coward, no fool.
You could make the most beautiful film, and that weekend it's raining too hard on the East Coast, and no one goes out. Artists should have a chance to do it again. That's the challenge: Women artists don't get a second chance. People-of-color artists don't get a second chance. You're put in director's jail, and that's a wrap.
The truth is 'Akaash Vani' was not a young film. The second half of the film was quite mature. It's unfortunate that not many people have seen the film, so I am still associated more with 'Youth Centric Films'.
How many more people right now feel connected to Mumbai because of Slumdog Millionaire, or suddenly are interested in the plight of orphans on Mumbai after seeing that film? The same thing with the Kite Runner and A Thousand Splendid Suns.
Maybe I am not destined to be part of movies. I feel that one needs to be connected in Bollywood, because, for outsiders, if the first film doesn't work, no one gives them a second chance.
I made mistakes. I can’t whine about it. I’m the one that messed up and I’m paying the consequences. However, if I am given a second chance, I won’t need a third chance. And to be honest with you, I picked the wrong vice. I should have picked alcohol. I should have picked drugs or I should have picked up beating up my wife or girlfriend because if you do those three, you get a second chance. They haven’t given too many gamblers second chances in the world of baseball.
I am getting better offers since directors feel that I am versatile and can be more than just a girl next door. I am also seriously trying not to be repetitive.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
I feel like I'm being put inside a box, and I'm not necessarily getting a chance. Like I'm not getting the shot that I deserve. So that's what Rare is about 'cause I feel because I am the way that I am, and I don't necessarily fit the mold of a lot of different artists that's out, it's like I'm not getting the chance to show what I can do. So, that's basically all the frustration of that, and everything is pretty much Rare for me anyway.
I am from Mumbai. I studied at the Utpal Sanghvi School at Juhu and then went to the Mithibai College. I come from a business family, and I am the only son.
We have to deal with this new type of threat in a way we haven’t yet defined. . . . With a low-probability, high-impact event like this . . . If there’s a one percent chance that Pakistani scientists are helping al Qaeda build or develop a nuclear weapon, we have to treat it as a certainty in terms of our response.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
More people are asking me to come and sing for them, so obviously I am getting more work. But apart from singing, I have been parallely programming and producing music tracks and assisting music directors. That is my bread and butter, which is how I survived in Mumbai. Now I can't leave it.
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