A Quote by Yancy Butler

I don't know that I'd necessarily want to see into the future. I don't want to know what's happening next. — © Yancy Butler
I don't know that I'd necessarily want to see into the future. I don't want to know what's happening next.
I don't want any special powers. I'm powerless. I wouldn't want to see into the future, I wouldn't want to know what anyone was thinking, ever! And I don't want to relive my past.
I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.
People know what they see but they don't know what's happening inside. If you want to know who you are and how you feel about yourself, take a look at your environment.
I know what I can do and I know what I want to be in the future. I fuel myself. I know I want to be pretty good and I want to do whatever it takes for the team to win.
I think I'm not in this work to not look at life as it is. I'm not in it to say, "I want to wear a mask and escape," you know. I want to know what's happening in the world, and I want to have it touch me in a way that I can do something, my little part like that, and have it somehow translate.
When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.
Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!
People want to act like they know celebrities. They want to see pictures. They want to know where you're going. They want to hear you talk about your family.
I'm sure there will come a time when I won't be able to, you know, walk around so easy sometimes, or it's just things that I don't necessarily want. I don't really necessarily want to be famous.
I know I'm happy and can't wait to see where my career will go next. This isn't the end for any of us. I can understand why they are upset but I want them to move forward and look for the future.
You people are telling me what you think I want to know. I want to know what is actually happening.
Young women know that something is off; they know that the world is a messed-up place. They know that the world is a sexist place because they've had experiences in their own life; they see things happening to their friends, to their parents. But because feminism isn't widely accepted, because they don't necessarily have access to feminist thought or to feminist groups, they don't necessarily have a language to put behind the feelings and the thoughts that they're having. And they certainly don't have a support system to let them know like, hey, that's okay; you're right, that is screwed up.
Ultimately, if someone's paying hard-earned money to see me play live, they don't want a rant about what's happening on the other side of the world. They don't want to know which way they should vote.
We imagined we knew everything the other thought, even when we did not necessarily want to know it, but in fact, I have come to see, we knew not the smallest fraction of what there was to know.
Humans don't see what they don't want to see. No one wants to be put down. That's why people do nothing even when they do know something is happening.
We want to see the universe in its absolute, pure, naked, perfection. We want to know its wonder. We want to know the totality of ourselves. That's done in steps and degrees and not in one day.
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